Two In Death books...

I find my lack of creativity very sad. I have nothing exciting to say about these books - no huge insights, no fabulous quotes. Just a quick copy of my Goodreads thoughts.

Does anyone else use Goodreads just to capture their initial thoughts, thinking they'll go back and be able to write a brilliant review from just looking at "I liked it." What was I thinking? Sheesh!

Creation In Death
When the body of a young brunette is found in East River Park, artfully positioned and marked by signs of prolonged and painful torture, Lieutenant Eve Dallas is catapulted back to a case nine years earlier. The city had been on edge due to a killing spree that took the lives of four women in fifteen days; all courtesy of the man the media tagged as "The Groom" — because he put silver rings on his victims' fingers.

This time, it becomes chillingly clear that the killer has made his attack personal: The young woman was employed by Eve's billionaire husband, Roarke, washed in products from a store Roarke owns, and laid out on a sheet Roarke's company manufactures. Chances are The Groom is working up to the biggest challenge of his illustrious career—abducting a woman who will test his skills and who promises to give him days and days of pleasure before she dies: Eve.

I really enjoyed every aspect of this one, except that it was odd that it was just a given that Roarke would be assisting on the case. Nobody even questioned it, including Eve. When is he going to find time to run his gazillionaire operation? I know that i've heard others bring this up, but this was really the first time it hit me so blatantly.

Sounds like I didn't care for it, but honestly? I remember liking it - I just can't think of anything that stuck with me other than this.


Strangers In Death
In 2060 New York, some murders still get more attention than others, especially those in which the victim is a prominent businessman, found in his Park Avenue apartment, tied to the bed—and strangled with cords of black velvet. Fortunately, homicide cop Lieutenant Eve Dallas's billionaire husband, Roarke, happens to own the prime real estate where Thomas Anders's sporting-goods firm is headquartered, giving her some help with access. Before long, she's knocking on doors—and barging through them—to look for the answers she needs.

But some things don't add up — and everyone's alibi checks out, from the wife who was off in the tropics to the nephew who stood to inherit millions. Was this a crime of passion—or a carefully planned execution? It's up to Dallas to solve this sensational case in which those who seem to be intimates sometimes guard secrets from each other—and strangers may be connected in unexpected, and deadly, ways.

This was highly focused on the case, and far less on Eve & Roarke's relationship. However, when the book focuses on the cases, it allows us to see Eve's growth in her professional interactions - both with her colleagues and with victims.

Any time that a case involves victims of abuse who either don't act on it the way that eve thinks they should or who don't act on it at all, she treats them with disdain, sometimes outright contempt. It's one area where she is totally unable to separate her personal experiences from her work life.

My one qualm is that I would have liked to have seen Mira call Eve on the carpet for her attitudes rather than have it be a private discussion between Eve and Roarke later on. I think that would have allowed Eve to grow more in her personal development, and made things uncomfortable for her. Which, frankly, I thought she deserved in this one. But that didn't happen.

Having said that, I did like this installment very much.

I'm waiting to check Promises In Death out of the library. I thought I grabbed it last time I was at Holly's house, but apparently I missed it. Shoot.

In Death Challenge final post...

First, I would like to thank Christine for hosting the In Death challenge. I've been afraid to start the books because I knew I would get hooked, and I was so right. Darn it. I burned out somewhere around June or July, and then picked back up at the end of November. All in all, I've read up through book 21 since last December. Wow. Only a bazillion more to go :)

Anyway, here are a few short synopses of the 4 I read this month.

Divided in Death

There are plenty enough reviews out there that give the plot summary. So I'll just talk about my reactions. This was a very uncomfortable book, in that Roarke and Eve are again fighting over that which together makes them strong - most especially Roarke's immense love for Eve and his desire to make everything in her world perfect. Which he already does by simply existing, but when he gets a glimpse into her past and learns something rather horrifying (but frankly, not that surprising if we're talking about governments), he is determined to make it right for Eve. Which would involve illegal activity on his part, including murder. He sees no problem with it, but Eve's innate sense of justice won't allow her to sanction it. They spend the entire book at odds, and it's very uncomfortable to read. But uncomfortable does not equal bad, and so I thought this was another excellent and believable entry in the series.


Visions In Death

Despite the drama in this one, the levity and love between Eve and Roarke and the little discoveries Eve makes about friendship make this a stellar entry to the series. Especially since Divided was so tense with no light relief from all that tension. Where this one truly shined was the character arcs and Robb knowing that after all the upheaval in the previous book, we needed to see a united and together Eve and Roarke.


Survivor In Death

I actually cried big fat tears in one scene.

No matter how much softer Eve has gotten, she sticks out like a sore thumb in her inability to be soft with Nixie. She shows her compassion in different ways, and we kmow, as does Nixie, that she is deeply touched and affected. I think Roarke was able to relate to her better simply because a) she's a living breathing female, and b) because he'd had some experience with Marlena and Jenny back in Ireland.

Loved that Eve and Summerset seemed to come to a mutual respect albeit grudgingly given on both sides.

Best LoL moment:

She slid a glance toward him as she uncoded the seal. "You really do want sex."

"I'm still breathing, so that would be yes."

Origin In Death

Possible tiny spoiler at the end of 1st paragraph...

I think what I liked so much about this one was twofold. First, as always, Robb's social commentary is superb. She takes issues that are on the burner today and pumps them up for 50 years in the future. And sometimes the look we get is excellent (gun control, birth control, same-sex marriage and interracial relationships a non-issue) and sometimes it's downright scary, as in this book where the focus is on genetics and cloning.

I also liked the first real peek I recall at the actuality of the Urban Wars, and once again, I felt like this was somewhere I could see our world heading.

Lastly, I liked that this book seemed to settle Eve and Roarke once again, following the upheaval in Divided in Death and the almost wackiness I felt in Visions In Death. Although, they continue to get themselves into situations that stretch their comfort level (family for Thanksgiving), but it shows how they ground each other and how their relationships make them much more willing and able to interact with others on a real basis (though they are still uncomfortable as hell with the idea of family and Eve is still uncomfortable with the idea of sharing a holiday table with anyone!).

JD Robb’s world vs. the current state of affairs

So, as I was reading about the federal Defense of Marriage Act being ruled unconstitutional, and the outcry from that, and thinking on the fact that our conservative SCOTUS will likely overturn the overturn once it hears the case (and I'm sure it will), it got me thinking that we must certainly be on the verge of something big. Some huge uprising. Because as the government (both state and federal) continues to take away rights of individuals & groups of individuals, and we become increasingly ever intolerant of those around us, something somewhere has got to give.

It got me thinking about JD Robb and the futuristic world she has created in the In Death series. And wondering if this storyteller isn't an amazing visionary. Are we on the verge of something equating to the "Urban Wars"? I can certainly see America (if not the world) heading down a path socially that must result in a massive revolt eventually. When things are so tense, that tension has to be cut somehow.

When we read about the world of Eve & Roarke, it certainly never occurs to us that the world in which they live is politically radical by today's standards (ok, it never occurred to me). But think about how 2059 New York:

• Equal rights for all (GLBT)
• Legalization of prostitution (with gov’t regulation - resulting in healthier prostitutes and, I assume, happier johns)
• Gun Control (basically no more guns – and don’t worry, there are still plenty of other ways to kill each other!)
• Birth Control (it’s accepted, y’all!)
• Legalization (and regulation) of drugs. Yes, there are still illegals, but far fewer of them, and likely you can get whatever high you want off of something legal.
• Eradication of multiple diseases (yet I love that they still can’t manage to conquer the common cold).

So, let's look at each of these individually...

Equal rights for GLBT: So many are trying to get here, but as a country (and a world) we have so far to go. Eve & Roarke think nothing of a same-sex marriage. It’s just the norm, like a m/f marriage. And nobody is hurt, maimed, killed, ridiculed, stigmatized, or denied parental rights due to the type of marriage they have. Win. Yet, there are people who still think they have the right to tell others who they can and can’t love. And Love and Marriage? They just go together like… well, a horse and carriage.

Legalization (and regulation) of prostitution: Prostitutes are disease-free, for the most part in Robb's world. There are varied types of licenses, and while licensed companions or LCs) may not be the cream of the crop socially, in general, they can earn a decent living just like the rest of us. Government regulation allows the "profession" to remain clean. It all seems somehow less… skanky, doesn’t it? Win. We're a people who are going to cheat no matter what. So why not make it clean and earn some revenue off the cheaters? Heck, we're willing to do it to the smokers, the drinkers, the SODA drinkers, why not the cheaters? You’d think it hard to improve upon Nevada’s legalized prostitution, gambling, and no income tax, wouldn’t you? Robb seems to have accomplished that.

Gun Control: Robb’s view of the mid-21st century shows that you don’t need a gun to protect yourself against your neighbor (unless you're Roarke). Almost anything will do. And she shows that there are still many ways to commit crimes, so we wouldn’t be depriving criminals of their God-given right to carry a gun and shoot some unsuspecting soul while hiding behind the 2nd amendment be a criminal and kill either. And the police still have weapons to protect and serve, but they are able to set varying levels of strength to incapacitate a suspect without having to have perfect aim. And there are no more accidental shooting deaths of children playing with mommy & daddy's guns. Win. Yet today, we still have gun bans being struck down as unconstitutional. It always strikes me as crazy the way the 2nd amendment, which clearly states the people’s right to bear arms to ensure the security of the nation (not to go bear-hunting for sport or kill your neighbor) is (mis)interpreted these days. Really, we promise to still kill each other - don’t worry. In Robb’s world, the definition of "arms" has simply been altered to reflect the advance of technology.

2nd amendment: A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.

Birth Control: I think we can all agree that it’s better to avoid unwanted pregnancies in the first place than to have gazillions of unwanted children running around. In Robb's world, this is a given. Win. It's the method of avoiding those unwanted pregnancies where we all differ right now. Yet there are still those... read: mostly men – oh, and the Catholic church. Wait. Those are mostly men. Nothing against any religion in particular and please take this in the light-hearted jokey way it's intended, but wanna bet if little boys could get pregnant that the church would change its stance on birth control? Sorry - please don't email me or crucify me (no pun intended) for that statement - I was kidding. Kind of... Sorry, where was I? Oh yes. There are still those who would limit a woman’s right to choose birth control. (note that I did NOT say abortion) To not populate the planet with a bunch of unwanted children.

Legalization (and regulation) of drugs: In this shitty economy, think of the revenue that could be generated by legalizing and regulating drugs. Win. Sure, in Eve & Roarke’s world there are still illegal drugs. Nobody is advocating legalization of everything, but revenue, less smuggling, regulation of ingredients and their levels for safety... it all makes for a compelling argument in Robb’s world.

Eradication of diseases: We are certainly headed toward eradication of many deadly diseases in today's world. In the 50s, who’da thunk that we wouldn’t get polio or smallpox anymore? Robb’s utopian view on disease control is equalized by the notion that we still can’t cure the common cold. Win. Yet today, we still have drug companies and government that get in the way of medical research in the name of money and/or religion.

Given how right these things seem within the context of Eve & Roarke’s world, why can’t we get to a similar place ourselves? Well, apparently, what we need is a good ol’ fashioned revolution. Or Urban War. Once we achieve full-on civil unrest, can we get ourselves over this huge hump that has us marginalizing some people and vilifying others? That has us clinging to our constitutional roots as though they were immovable pillars of stone, rather than ideological pedagogy. I'm guessing the founding fathers would never have envisioned the world of child porn on the internet. Yet we stubbornly use the first amendment to cover this rather than use the Commerce clause. (Aside: Is it because those who look at porn the most are those we would give the right to regulate it? Again, read: men. Or Congress.) So why do we cling to this document rather than use it as a guide in principle to handle the changing times? If the Urban Wars were to actually happen, would government open its eyes and see a different way to go? Would the people?

Interesting thoughts, and they make me wonder if JD Robb is a silly little woman with a rather active imagination or if she’s a visionary.

There you have my (somewhat) tongue-in-cheek (but not really) thoughts on our world today and Robb's world, now less than 60 years away. Heck, WW2 is 70ish years old. Think of what's happened in that space of time!

(OK, Nora fans... I'm kidding. I know she's not a silly little woman, although she does have a rather active imagination.)

Portrait In Death by JD Robb

After a tip from a reporter, Eve Dallas finds the body of a young woman in a dumpster on Delancey Street. Just hours before, the news station had mysteriously received a portfolio of professional portraits of the woman. The photos seemed to be nothing out of the ordinary for any pretty young woman starting a modeling career. Except she wasn't a mode;. And the photos were taken after she was murdered.

Now Eve is on the trail of a killer who's a perfectionist and an artist. He carefully observes and records his victims' every move. And he has a mission: to own every beautiful young woman's innocence, to capture their youth and vitality - in one fateful shot...
~~~~~~~~~~~~~~~~~~~~~~~~

I actually read this for the challenge last month, but never really got around to reviewing it properly.

As so many have pointed out, some of the In Death books are heavy on the relationship, some are heavy on the procedural. This one is all about Roarke, and the case takes a complete backseat. Someone is killing young adults, who seem to have the world at their feet. Well-liked, beautiful people. Eve and the team have to figure out who is doing the killing before more are murdered.

In this book, Eve learns she can rely on her team. They can do the work, and she learns to trust that it will still be there when she gets back in. It's a huge step for her, both in continuing her realization that she isn't all alone in this world, and that she can ask for help and will receive it.

I love how Eve is on top of the world over Summerset's vacation and when that is ruined by an accident, she can't help but worry about him.

Eve and Peabody are getting closer. There's always been great banter, but Peabody is beginning to really take great pleasure in baiting Eve about her relationship with McNab.

"So why is it my aide and Feeney's detective are chatting about the information in my investigation?

"It just happened to come up - between kissy noises." She smiled, pleased when Eve's eye twitched. "And sexual innuendos."

"As soon as this case is closed, I'm putting in for a new aide - one who has no sexual drive whatsoever - and transporting you to Files."

"Awww. Now that you've hurt my feelings, I'm not inclined to share my sandwich."

"What kind is it?"

"Mine."

...

Delicately, Eve brushed cookie crumbs off her shirt. "Smartasses always pay."

"You never do," Peabody said under her breath.

Eve lets Peabody take a cold case and work it. Here is more on their growing professional relationship. Eve is trusting Peabody, and now needs to get Peabody to trust herself in order to advance her career. Peabody begins conducting interviews on her own case. One of the people she interviews is named Catstevens. I appreciated the reference.

In this book, we see Eve set aside her case for probably the first time, and put Roarke first, above everything. Their situation is a juxtaposition of their usual dynamics, with Eve being lost and Roarke the rock. Here, Roarke is completely out of his element, lost, adrift, and Eve is his strength, his anchor.

In the meantime, Roarke learns startling news about his mother from a counselor from Ireland who is working at Louise's shelter. Stunned, hurt, shocked, he actually initiates some nastiness between himself and Eve. He is well on the way to getting himself drunk in this scene:

"Roarke - "

"Goddamn it, Eve. I'm busy here." He snapped it out, and stopped her in her tracks."Give me some fucking space, will you? I'm not in the mood to chat or for a quick shag or a replay of your day."

Insult and anger lit her face. "Just what the hell are you in the mood for?"

"To be left alone to do what I'm set to do here."
I can't stand having you here, can't stand doing what I'm doing.

"The time I spend diddling around with your work takes away from my own, and I've got to make it up when I choose. As the bloody door was locked, it might've occurred to you that I didn't want to be interrupted. I've a great deal to do, so why don't you be about your own? I've no doubt you've plenty of the dead to keep you occupied for one evening."

"Yeah." She nodded slowly, and the temper in her eyes had faded into astonished hurt. "I've always got the dead. I'll just get the hell out of your way."

She strode for the door, heard the locks whisper open even before she reached it. The instant she was through, it shut and locked tight.

Inside, Roarke stared into his glass, then simply hurled it against the wall so the crystal showered to the floor like lethal tears.

Ouch. So unlike him, and Eve is totally baffled. In the morning, Roarke is feeling so guilty.

"He'd have a shower, some food, make some excuse to Eve for his behavior the night before. But she wasn't there. The sheets were in tangles, which told him she'd spent as poor a night as he had. Guilt twisted inside him as he wondered if she'd been plagued by nightmares.

She never slept well without him. He knew that.

He saw the memo, picked it up.

"I caught a case. I don't know when I'll be back."

Feeling foolish, feeling raw, he played it back twice just to hear her voice. Then closing his fist around the little cube, he sat on the side of the bed.
Alone, he grieved for a woman he'd never known, and ached for the only one he'd ever loved.

Damn, her prose is so perfect.

They have a huge confrontation about Roarke's attitude, and it is heartwrenching. (For those who want to go back and reread it, p180-188.) Holy cow, so perfectly written. Eve is filled with anxiety as she tries to figure out what is wrong. Is Roarke ill? Did he lose all his money? Has he fallen out of love with her?

It's this last one that makes him realize how much he's hurt Eve while trying to work through this on his own. Suffice to say, it's one of the rawest, most intense scenes ever between them.

In Ireland, where he goes to follow up on his revelations, he has this to say to Eve: (grab a kleenex!)

"I couldn't find my balance, he repeated, until I stood out there in the mist of the morning and saw you. Simple as that for me, it seems. There she is, so my life's where it should be, whatever's going on around it. You know the worst of me, but you came. I think what's here, though I don't understand it all yet, haven't taken it all in, may be the best of me. I want you to be part of that."

Sigh.

Not much else to say. The case is solved, blah blah blah, but after that little speech from Roarke? Yeah. Like I said, not much else to say here.

Seduction and Reunion in Death

Seduction In Death (#13)

Not a whole lot to say about this one, other than some random thoughts…

This one is very case-focused, but no less engrossing. The thing that struck me in Seduction in Death was how incredibly supportive of Eve that Roarke is. He’s enjoying himself as a 'temporary consultant, civilian'. And a bit appalled that he is working so closely with the police. Where in Betrayal, Eve supported Roarke, in Seduction, although still shaky from Mick’s death, Roarke takes on the caretaker role. I love watching the two of them support and care for one another. Their relationship has really grown over the course of the series; matured into a true marriage – one of compromise (in two people who don’t care to compromise), affection (that’s becoming a much more easy and loving affection than an all-out lusting love), support and humor.

Reunion in Death (#14)

Somehow, this one didn't grab me as much as the others have. However, the interactions are so good, as always, and the secondary characters interesting. I'm having a tough time seeing how Louise doesn't mind Charles having sex w/other women ("it's just his job"). I wasn't sure why Peabody's parents seemed to have so much more interaction with Eve and Roarke than with Peabody, except to offer insight into their pasts.

However, this book was a real step forward in Eve coming to terms with her past. She finally revisits Dallas, and remembers some more of what happened to her, but is still left shaken and confused. And Roarke is so supportive, while inside his heart is absolutely breaking for her. As Eve recounts and remembers what her father had done to her, Roarke has the following reaction:

“Good Christ.” He barely breathed the oath, had to jam his fists into his pockets for there was nothing and no one to fight, to punish for terrorizing the child that was now his wife.

And later…

He left her alone as much for himself as for her. The rage he’d managed to clamp down was threatening to snap free. He wanted to use his fists on something. Pound them until his arms screamed for rest.

She’d shower, he thought, with water that was brutally hot, because she’d once been forced to wash in cold. He never wanted her to be cold again, to shiver as she had shivered in that room where the ghosts, the viciousness of them, had been so tangible he’d seen them himself.

Watching her relive that night, as she too often did in dreams, had ripped him in two. It had left him helpless, useless, and with a violence borne of the fury he had nowhere to vent.

To have birthed and bred her, beaten and raped her all for selling her to other scum. What god had made such creatures as that and set them to prey on innocents?

Riding on rage, he stripped off his shirt as he strode into the small workout area. He yanked the speed bag into place. And attacked it, bare-fisted.

With each punch his anger grew, spreading through him like a cancer. The bag was a face he didn’t know. Her father’s. Then his own father’s. He battered at it with a concentrated rage that bloomed into hate. Pounded, pounded, as the black haze of that hate narrowed his vision. Pounded, pounded, as his knuckles wen raw and bloomed with blood.

And still he couldn’t kill it.

Wow. Robb’s portrayal of Roarke’s impotence in the face of Eve’s recollection is remarkable. And the rest of the scene is equally as powerful.It's just too long to quote here, but I so wanted to!

The juxtaposition of Eve’s growing relationships and expanding personal life against the revelations of her past are interesting to note, and make perfect sense. As her personal life becomes more rich and fulfilling, she has the support system in place to begin to loosen her block on the past.

On a lighter note, I loved how, when in Texas, she can’t fathom the open space and the lack of people, traffic, and noise. She proclaims herself a city girl, and just can’t see the appeal of living anywhere there is open space. It was pretty amusing, actually.

I noted almost directly after I finished this one that I hadn’t enjoyed it as much as the others. I’m not quite sure why now, as I go back to find bits and pieces to share. There is plenty here to really love, and looking back, I think I did enjoy it.

Oh, if only I could appreciate Nora Roberts in the same way that I do JD Robb.

Betrayal In Death (#13) by JD Robb

Note that this review does contain spoilers, but nothing that I think would ruin the book altogether for you.

In this one, Eve has to track down a hitman. Different because we know from the start who the villain is, the reader follows Eve as she figures out the “why” and who hired him. I was immediately suspicious as soon as Roarke’s old friend Mick appears. I just knew he was tied into the mystery somehow.

I love this one so much because it's so rare that we see Roarke as vulnerable as he was and Eve so forthcoming with her affections... her love. She initiates the "I love yous" several times not only with Roarke, but with Mavis, too. She listened and offered advice to Peabody. She takes great strides in her relationships.

Someone is killing Roarke’s employees, and he takes it personally. They have to figure out why, but in the meantime, he is devastated, angry, and hurt. Eve has to initiate the caretaking for once, and she is uncharacteristically liberal with her affection.

“I can take care of myself.”

She expected to feel anger, resentment, or at the least, impatience. Instead, there was only concern. He, a man who rarely lost control, was on the edge of rage. And mired in grief.

She did something she had never done in public, never done while on the job with other cops looking on. She put her arms around him, drew him close, and held him with her cheek pressed gently to his.

“I’m sorry.” She murmured it, wishing she knew more of the art of comforting. “I’m so damn sorry.”

The rage that had been spitting into his throat, the burn scorching the rim of his heart eased. He closed his eyes and let himself lean.

Through all the miseries in his life, there’d been no one to offer him the simple soothing of understanding. It swamped him, washed away the worst edge of grief, and left him steadier for it.

Later, when Roarke lets Mick go, he reveals the following, and we see a bit of how Roarke sees himself, as he shares more of his past:

He wasn’t sure he himself knew or understood the all. But he could give her another part of it. “Your past comes to you in nightmares that try to eat you up from the inside. Mine, it lives in me. In corners of me. Do you know how many years it was before I ever went back to Ireland after I left? I don’t. And it was sometime after that before I ever stepped on a Dublin street. It wasn’t until you went back with me to bury my friend that I went again to that part of Dublin that birthed me.”

He looked down at his hands. “I used these, and my brain, and whatever else I could find to claw and steal and cheat my way out of that. And I left behind those who’d come through it all with me just as much as I left behind the dead bastard who’d made my life a misery. He damaged me, Eve, and might have made me what he was.”

“No.” She came forward then.

“Oh yes. He could have. Without the friends I made, and those pockets of escape I had with them, he would have. I was able to go my own way because there were those I could count on in the worst of times. When I took you with me to Dublin last year so I could wake and bury Jenny, I realized I’d never paid that back. I couldn’t have turned him [Mick] over, Eve, not even to you, and lived with it.”

When Mick dies, Roarke once again turns to Eve.

“Ah God.” Helpless sorrow flooded over him, into him. He could do nothing but rock, his bloody hand clinging to Mick’s while the sorrow drowned him. His eyes were stark, naked with it when they lifted to Eve’s.

While the business of law went on around them, she rose, signaled her men and the MTs who rushed into the room back. And went to her husband. Kneeling with him, she put her arms around him, drew him in.

Roarke laid his head on his wife’s breast, and grieved.
…...
He was alone with his thoughts when dawn broke., From the window of his bedroom, he watched day tremble into life and whisk away the dark, layer by thin layer.

He’d hoped for rage, had searched for it. But he hadn’t found it. He didn’t turn when Eve came in, but the worst of the ache eased because she was home.

OMG. The way that Robb pulls you into their relationship is just outstanding. When I read that, it was as if my arms were closing around Roarke as well. And how far these two have come in their relationship, where Eve can publicly show her love for him – while on the job, no less – and he can so publicly show his weakness and lean on her. And her paragraph breaks. Perfectly placed. Fucking sighworthy right there.

Eve’s friendship with Peabody moves to a new level in this one as well, as she listens to Peabody’s McNab woes and very reluctantly offers advice. McNab’s jealousy of Charles comes to a head n this one, and Peabody is forced to man up and move on – neither of which she is very good at. So she turns to Eve, who actually steps up to the plate. Their working relationship and their friendship take huge strides.

Just a freaking fantastic entry.

Loyalty in Death by JD Robb

New York cop Eve Dallas returns to face her most ingenious foe - a "secret admirer" who taunts her with letters... and kills without mercy. An unknown bomber is stalking NYC. He is sending Eve Dallas taunting letters promising to wreak mass terror and destruction among the "corrupt masses." And when his cruel web of deceit and destruction threatens those she cares for most, Eve fights back. It's her city... it's her job... and it's hitting too close to home. Now, in a race against a ticking clock, Eve must make the pieces fit - before the city falls.
~~~~~~~~~~~~~~~~~~~~~
There’s a lot going on in this book. The big story in this one was how it made me think of 9/11. There’s a domestic terror plot, and the prime targets are all in New York. Robb unashamedly kills of several hundred people in domestic bombings at prime locations – Madison Square Gardens during a Rangers game, The Plaza during high tea. The team has to determine the next target site, and they mention that it could be the UN, the Twin Towers, or the Statue of Liberty. It was very disconcerting and freaky. Also, the terrorist group is picking up where a previous group left off, after bombing the Pentagon many years before. This book was originally published in 2000, long before 9/11, but after the original UN bombings. Uncanny how she thought that up. Much in the same way my husband and I thought it was amazing how Tom Clancy thought up a scenario with a terrorist hijacking a plane and flying it into the capital and white house in Executive Orders. (for which he took a lot of flak after 9/11)

We meet Zeke, Peabody’s brother. He’s a wonderfully sweet, naïve man, who happens to fall in love with the wrong person. Peabody and Eve’s relationship strengthens as Eve does all within her power to save Zeke from arrest for murder. Peabody learns from Eve, and she also comes to appreciate not just Eve’s tenacity as a cop, but her compassion as well.

Peabody is at her most vulnerable, with her baby brother in trouble, her emotions running high. In steps McNab. Their attraction and adversarial relationship finally takes the next step, as they all of a sudden can’t keep their hands off each other. They are all over each other constantly. It was actually a woohoo moment for me, but Eve is particularly grossed out by it, which I actually found to be a small bit of amusement in a tension-laden story.

There are some incredibly intense moments in this one between Eve and Roarke. They have their first real fight, brought on by her inappropriate brashness and inability to notice how scared Roarke is for her. I liked that she recognized it shortly thereafter, but in true Eve fashion, wasn’t quite sure how to make it right.

I do love the quotes, especially when they demonstrate the relationship far better than I could explain. Following the first bombing, where nobody is seriously injured, but Eve came precariously close to being blown to smithereens, they have this confrontation:

“This is a goddamn crime scene, and I don’t have the time or inclination to stand around and pat you on the head because one of your 6 million dollar buildings got blown to hell. Now, I’m sorry about it and I understand that you feel ticked off and violated, but don’t take it out on me.”

He gripped her arms and hauled her up to her toes in a move guaranteed to make her snarl and spit. If his property hadn't been heaved out in a half-block pile of stinking ruin, she might have decked him.

“Do you think that’s the problem?” he demanded. “Do you think the fucking warehouse is the problem?”

She struggled to think through her own temper. “Yes.”

He hauled her up another inch. “You’re an idiot.”

“I’m an idiot? I’m an idiot? You’re a moron if you think I’m going to stand here making clucky noises to your ego while I’ve got somebody blowing up buildings on my watch. Now, get your hands off before I take you down.”

“How close were you to going in?”

“That’s not — “ She broke off, deflating as it hit her. It wasn’t the building that put that wicked light in his eyes. It was her.

She’s finally getting it. Yay Eve! I also loved that by helping out at the disaster scene, Roarke also begins to "get" what Eve goes through as well. Just another example of the growth of equality in their relationship.

Also some humorous ones, as Eve acknowledges her aide’s attraction to Roarke. As Peabody walks in on Roarke examining Eve’s injury and kissing it all better *g*, he asks her how she came through the morning.

“Okay, it was… well actually. She cleared her throat and shot him a hopeful glance. “I got this little nick right here.” She rubbed her finger at her jawline, heart fluttering pleasantly when he smiled at her.

“So you do.” He stepped to her, angled his head, and touched his lips to the tiny cut. “Take care of yourself.”

“Man, man, oh man,” was the best she could manage when he’d left. “He’s got such a great mouth. How do you stop yourself from just biting it?”

“Wipe the drool off your chin, for Christ’s sake.”

“I almost got blown up and got kissed by Roarke all in the same morning. I’m writing it on my calendar."

“Settle down.”

“Yes, sir.”

LOL!!  We now see an acknowledgment from someone other than Mira of the ties between Eve and Roarke. People are always wondering what it is about Eve that so struck Roarke. Peabody makes this observation:

It was so fascinating to watch them together, she mused. An education in the tug-of-war of relationships. And the way they looked at each other when their minds came together. You could actually see it.

She couldn’t imagine what it was like to be that connected. So meshed that the brush of fingertips over your hair was a simple and absolute declaration of love.

Wow. That sums it up nicely, no?

There’s also a scene where Eve apologizes to Roarke for the way she treated him and spoke to him. After an amazing apology where she lays everything out for him – how she can’t believe he’s hers, and how he stops her heart when she just looks at him, it ends thus:

“You’re the best thing that ever happened to me. In my life, you’re what matters most. I love you so much it scares me, and I guess if I had a choice about it, I wouldn’t change it. So… now you can get pissed off, because I’m done.”

“A fat lot of room you’ve given me for that.”

I was more caught up in the suspense portion of Loyalty than I have been in previous books. Watching Eve put all the different crimes together in order to make the last piece fit was terrific. And because of the eerie connection to 9/11, it was all the more riveting. But as always, there were huge strides in Eve and Roarke's relationship, and a move forward for Peabody and McNab as well.

Fabulous entry.

Conspiracy in Death by JD Robb

Once again, tough homicide cop Eve Dallas speaks for the dead in her quest to bring murderers to justice.

Now, however, she faces her greatest challenge in the form of a killer who strikes with cold precision, surgically removing a different organ from each of his victims. But why would anyone want them? The victims were certainly not in the necessary organ donor level of health. Besides, who needs real organs, when artificial ones are so cheaply and safely available?

As Eve begins to investigate the medical profession, it becomes clear that she has definitely ruffled some powerful feathers. And, in a startling turnabout, she becomes the center of a controversial investigation that threatens to put a ruinous end to her career. Can she deal with this unexpected personal attack with the cool objectivity needed to foil a most unscrupulous villain?

Another stellar entry in the series. As Eve tries to track down a killer, she’s stuck as the object of an internal investigation brought on by a vengeful, jealous officer. When the cop ends up dead, Eve becomes the prime suspect. And although IAB, Whitney, and Tibble all agree that she’s innocent, they have to suspend her pending the outcome of the investigation.

This truly devastates Eve like nothing else could. Her entire identity is wrapped up in being a cop, bringing order where there is none.  But through the investigation, we see how many friends Eve has amassed and how loyal they are to her. As Eve arrives home in a cab, Roarke, who has been waiting for her, has this reaction:

“… he felt a bolt of fury lance through him. They’d taken her vehicle. Bastards.

He wanted to race down the steps, rip open the door, to bundle her out and carry her away somewhere, somewhere she wouldn’t hurt as he could only imagine she hurt.
But it wasn’t his anger she needed now. He came down the steps as she got out of the cab. And she stood pale as death in the hard winter light, her eyes dark, glazed, and he thought, impossibly young. (Great imagery, no?) The strength, the tough edge she wore as naturally as her weapon, was gone.

She wasn’t sure she could speak, that the words would push through her throat, it burned so. And the rest of her was numb. Dead.

“They took my badge.” Suddenly it was real, the brutal reality of it punched like a fist. And grief gushed up, hot, bitter, to spill out of her eyes. “Roarke.”

“I know.” He was there, his arms hard around her, holding tight as she began to shake. “I’m so sorry Eve. I’m so sorry.”

“What will I do? What will I do?” She clung, weeping, not even aware that he had picked her up, carried her inside into the warmth and up the stairs. “Oh God, God, God, they took my badge.”

“We’ll straighten it out. You’ll get it back. I promise you.” She was shaking so violently, it seemed her bones would crash together and shatter. He sat, tightened his grip. “Just hold onto me.”

“Don’t go away.”

“No, baby, I’ll stay right here.”

… “They made me nothing again.”

He looked down at her face, into her eyes, hollow and heavy. “No, Eve.”

“Nothing.” She turned her head away, closed her eyes, and escaped.

God, how heartwrenching is that? Robb puts you right inside their embrace.

And Summerset has the line that perhaps, brings the entire situation home. “Roarke, I insulted her and she… apologized to me. Something must be done.” I admit I laughed at the last bit.

There were some lighthearted moments as well, such as when Roarke and Eve have a snowman/snowball fight. Eve builds a big, muscled snowman, and Roarke, well…

“Yours has tits.”

“Yes, rather gorgeous ones.” Roarke stroked one snowy breast lightly. “She’ll lead your pumped-up slab of beef there around by the nose.”

Eve could only shake her head. “Pervert. Those boobs are way out of proportion.”

“A boy needs his dreams, darling.”

And so ensued a tremendous snowball fight.

And when Eve discovers that Roarke, yet again, owns a company she’s investigating:

“Do you have to own everything?”

He considered a moment. “Yes,” he said and smiled beautifully.

… “Why do you have to own everything?”

“Because, darling Eve, I can.”

Once again, there is great chemistry between McNab and Peabody (whom he calls She-body). Love it! And a couple new characters are introduced: Louise, a doctor who runs a clinic, and Officer Truehart. Looking forward to how they are integrated.

The outcome of the suspense portion was never in doubt – the whodunit was quite easy to guess. The point of this one was to connect all the dots and clear Eve while completing the investigation.

Another huge step forward in Eve’s relationships with others. We see how uncomfortable she is allowing others to help her, but at their insistence, she accepts their assistance. At the same time, she completely opens up to Roarke; lets him hold her while she cries her eyes out. Which makes it all the more powerful.

Always something thought-provoking and new in Eve and Roarke’s relationship to examine. I thought I wouldn’t be held captive over several books dealing with the same couple, but I was mistaken. Robb continues to fascinate and hold me in thrall.

One last thought about Roarke, and I keep meaning to mention it with each review… I love that he’s portrayed as quite old-fashioned in some ways. He has the height of technology at his fingertips, and uses it immensely, no… ruthlessly well. But at the same time, he prefers real coffee; cooks real meat; uses real towels after a shower; and uses his 20th century outlawed guns. Such a dichotomy and an enigma. Loving it.

Rapture in Death by JD Robb

If Immortal in Death was Eve’s book, I’d say this one is Roarke’s book. In this book, Robb explores the idea of subliminal messaging. Roarke shows himself to be completely susceptible to the villain’s suggestions. The effect it has on him is tremendous, and this also highlights Eve’s devotion to him – something he needs tremendously and that makes her and their relationship stronger.

I thought I’d do something that I’ve done in the past: highlight some quotes that show how absolutely fabulous this book is, and places that leaped out at me as significant. So… here we go:

In this first one, Roarke shows how vulnerable he is with Eve, and how much her love means to him. Just wonderful emotions conveyed in this bit:

“You’re so important.” She trailed her finger down his chest. “So influential. And so… gorgeous.”

It was just a little too thick.He narrowed his eyes, caught the laughter in hers. “You’re putting me on.” Her laughter burst out. “You bought it. Oh, you should have seen your face.” She pressed a hand to her belly, yelping when he yanked on her ear. “I would have talked you into it.”

“I don’t think so.” Not at all sure of himself, he turned away, started to reach for his coffee again.

“I could have. You’d have done it if I played it right.” All but doubled over with laughter, she threw her arms around him, hugged herself to his back. “Oh, I love you.”

He went very still as emotion delivered a hard, bruising punch to his heart. Shaken, he turned, gripped her arms.

“What?” The laughter died out of her face. He looked stunned, and his eyes were dark and fierce. “What is it?”

“You never say it.” Swamped, he dragged her close and buried his face in her hair. “You never say it,” he repeated.

She could do nothing but hold on, rocked by emotions pulsing from him. Where had this come from? She wondered. Where had he hidden it? “Yes, I do. Sure I do.”

“Not like that.” He hadn’t known how much he needed to hear her say it, just like that. “Not without prompting. Without thinking about it first.”

She opened her mouth to deny it, then closed it again. It was true, and it was foolish, cowardly. “I’m sorry. It’s hard for me. I do love you,” she said quietly. Sometimes it scares me because you’re the first. And the only.”

Ne held her there until he was sure he could speak, then eased her back, looked into her eyes. “You’ve changed my life, become my life.” He touched his lips to hers, let the kiss deepen slowly, silkily. “I need you.”

She linked her arms around his neck, pressed close. “Show me. Now.”

So beautiful, the emotions portrayed there. How Roarke tells her how much she means to him, and how much he needs her, and Eve’s realization that she needs to give more to him, let herself go a bit.

(sorry - I got tired of typing, click on the next two quotes to enlarge)



So powerful. Eve needs to be the strong one here, absolve Roarke of his guilt. She’s unused to that position – being the compassionate, supportive one. Yet she steps right up, leaves her own discomfort behind to be what he needs.



As Roarke thinks back on who he was and who he wants to be, they have the following conversation. Eve, in her own way, is again the understanding one – the supportive one. Trying to get across to Roarke that she loves him as he is – that his past experiences make up the man she loves. And in her own pragmatic way, she is just what he needs.

This book really got me. Finally, Roarke show some weakness, and it devastates him. Not the weakness, per se, but in terms of how he perceives its effect on Eve. Once again, I’m pressed to say how much any woman would want that kind of love and devotion aimed at her.

You'll notice that I don't ever say much about the suspense aspects of these books. I felt like the most important thing about the suspense portion of Rapture In Death was how it served to forward Eve & Roarke's relationship. It propelled the growth that we see in both Eve and Roarke. Eve, who had to be the strong and supportive one, and Roarke, who had to learn to accept Eve's strength and support.

This was a fabulous entry in the series, one that put Eve and Roarke’s relationship onto a more equal ground. Up until now, we’ve seen him be totally supportive of Eve, but not as much the reverse. They truly understand one another, their pasts, and in this entry, Robb aims to show this aspect of their relationship. As I mentioned in my last review, if Eve doesn’t grow, her unintended neediness becomes a burden to both Roarke and the reader. But by making her the strong one, Robb lets the reader become more invested in the relationship, to see it more as a true partnership. Freakin’ fantastic.

Glory in Death and Immortal in Death

Since the In Death Challenge is commencing shortly, I’m going to note that this review contains spoilers for Eve & Roarke’s relationship. Although I imagine almost everyone has read it, there may be some who have not.

Glory In Death

Book 2 in the In Death series, this book advances Eve & Roarke’s relationship. We see more into Eve’s childhood, as her nightmares continue to haunt her. We also learn a little more about Roarke’s childhood as well.

What was great: The subtleties with which Robb writes Roarke’s emotions. On the surface, he’s loving to Eve, nurturing, definitely the more demonstrative of the two. However, Robb’s narrative reveals little nuances that show the depth of his emotions, how scared he is in this relationship that he might lose Eve at some point. Case in point: Roarke presents Eve with a big-ass diamond necklace. Because she can’t handle the overt commitment that it implies, she argues with him about it. Roarke then issues an ultimatum to her about their relationship. Eve still isn’t ready to face her past, or to open herself up that much, so she leaves. Roarke's reactions are so subtle, yet perfect.

What else? The scene where Eve finally says “I love you” to Roarke. Wow. The way that she broke down was so realistic. And his reactions to her were done perfectly. His insistence, his hands shaking, his immense relief.

This book showed tremendous growth in Eve. Although she is still a loner, we see a little more of her relationship with others: Roarke, Mavis, Feeney, even Whitney. Love that she wears the diamond, even though she keeps it inside her shirt, she has to acknowledge her feelings for Roarke by wearing it.

As for the suspense in this one, the whodunnit was fairly obvious to me early on, although I did wonder about a few others. I think that setting the newness and fragility of the relationship between Eve and Roarke (and even Eve and others) against the grimness and crudity of the murders is the point, much more than keeping the reader guessing the villain.

Immortal in Death
I consider this one to be Eve’s growing up book. I felt it even more after I read on Robb’s website that this was only intended to be a 3-book series. That explained a lot of the growth I saw in Eve. She reaches out and deepens her relationships with her friends – in fact realizes that she has friends. When Mavis looks to be the prime suspect in a murder, Eve digs deep in order to clear her name. Her friendship with Mavis deepens in this book, and she opens herself to new relationships with people, such as Dr. Mira and Nadine. Even Peabody. Both Dr. Mira and Nadine move from being acquaintances that Eve strives to keep at a distance to friends, and though Eve still tries to be a loner, she has more difficulty doing so. Much of this comes because she is beginning to come to terms with her childhood – she remembers all of it in this book. We also learn more of Roarke’s childhood, and bits of what has made him the man that he is.

As Eve remembers her childhood (which is not for the faint of heart, I might add), it’s like the lock on her emotions begins to come undone. While she can’t change her basic personality, we see more humor from her, more emotional ties, and more caring.

One scene I really liked was when Eve and Mavis visit Leonardo for the first time, and he’s designing the wedding dress, and Eve admits to herself that she really wants it. Wants to wear that dress more than anything. It’s just so out of character, and such an innately female reaction that it reconnects the reader with Eve and her femininity. It makes her seem more human, with vulnerabilities and hopes, dreams, and desires, even as she strives to deny that part of herself.

Roarke, as always, completely understands her. Gets her. Knows what she needs. Knows when to back off and when to push. I get such a kick out of him calling her “Lieutenant.” My heart broke when learning his back story with Summerset’s daughter. The guilt Roarke carries with him. I liked the honest reaction he displayed by being afraid to make love with Eve after her complete revelation about her past.

The suspense in this one, while once again not totally compelling in comparison to Eve and her character study, was well done, although once again, I guessed the whodunnit.

A few things I find interesting in these books are the juxtaposition in the relationship – Roarke is the nurturing one, the one unafraid to say “I love you,” the one unwilling to let Eve give up on herself or the relationship. He’s the talker.

Robb recognizes that to make Eve a static character would turn readers against her. Eve grows, learns, changes, and acknowledges. All without changing her basic personality.

Something else I find fascinating is that while much of the procedural discussions revolve around doing things by the book, Eve finds it easier and easier to use Roarke and his information in ways that can’t possibly be admissible in court. This lends a hint of moral ambiguity to me that makes the books more interesting.

Naked in Death by JD Robb, or why I blame Christine

I blame Christine for this, completely. I have successfully avoided the In Death series for close to 15 years now, but she had to go start a challenge. Now I know why I’ve avoided it. Because I knew I’d be hooked. I just knew it. I couldn't even wait for the official start of the challenge. Damn you, woman!

If there’s anyone who doesn’t know this series, well, crawl out from under your rock. You’ll just need to google the synopsis. So there. I’m just going to start right in.

I really loved how Robb not only wrote this as a suspense, and as a romance, but also as a social commentary. That was what grabbed me almost immediately. The commentary on everything from gun control to birth control to genetic engineering to legalized prostitution and drugs. From extreme conservatism to pharmaceuticals and their evolution and cost due to the control of disease. Yet the common cold and the cockroach are still unresolved problems, never to be wiped out. Flat out loved it.

Moving on… Eve. She’s tough, yet vulnerable. Strong, but still needs someone to lean on. Smart as a whip. In your face. Roarke. Enigmatic. Mysterious, yet at the same time, totally open to Eve. He’s the one who shows his vulnerability first. Shows his interest in the relationship. Wants her uncontrollably. Yummy.

The story and suspense portion were very well done. Although I guessed the whodunit fairly early on, I still was pulled into the story by the uniqueness of the setting, the grimness of the characters and the crimes, and the potential of the romance. The sameness of our world set against the possibility of our future and what it might hold.

Now I can’t wait to read the next one, and I blame it all on Christine.