Bound Hearts series from Lora Leigh
In February, I read three titles from Lora Leigh’s Bound Hearts series: Wicked Intent, Sacrifice and Shameless.
* All feature ultra-dominant alphas, uncompromising in their need to share their women.
* The men, and some of the women, are connected—throughout the series—by way of membership in an exclusive club. Not a sex club per say, but sex does “go on” here.
* The women all share a near-raging need for true, liberating, sexual fulfillment.
* All three conclude when the dominant alpha provides the fire-breathing sexual fulfillment and receives, in exchange, his own emotional liberation.
Sound like something you’ve read before? Well, it’s not; at least not if you’re new to Lora Leigh. There is nothing clichéd about Leigh’s characters or their needs. Her stories are well written, her characterization rich and seamless. It is easy to lose yourself in a Leigh book; easy to be drawn in by its characters, propelled by their motivations. Those motivations? Purely sensual, wildly erotic. Leigh excels at writing sex scenes that challenge most readers’ personal experience without—for a single minute—hindering visualization or flow. Leigh’s ability to create breath-hitching eroticism far exceeds that of her peers.
There are nine books in the Bound Hearts series and I plan to read every one. Eventually.
Memory In Death by JD Robb
This series from JD Robb remains off the scale. Nothing compares. I will never tire of these characters, any of them. I will never grow bored with their continued romance. And I imagine I will still be daydreaming about Roarke when I am 80 years old.
Gentleman’s Honor by Stephanie Laurens
Laurens is quite simply, a comfort read for me. Her Bastion Club and Cynster books never fail to provide the competent hero I crave—the one who handles adversity with quiet strength, without burdening or squishing the heroine. It’s my dream world.
All Night Long by Jayne Ann Krantz
Either the first JAK book I’ve read, or the first JAK book I’ve read in many years. Not sure. It was ok, but didn’t bowl me over. It felt formulaic, mechanical. Its characters were interesting, the storyline intriguing (not from the overdone vault) and the outcome satisfactory. I’d have to say that the physical presence of the H and H—their attraction to one another, their dialogue—kept me in the story. The dialogue scenes in particular were well done—and brought me as close as I was going to get to ‘knowing’ these characters. In the end however, I just couldn’t get very attached to the story. And when I set it down, I promptly forgot about it.
To The Brink by Cindy Gerard
Another in Gerard’s Bodyguard series, To The Brink features a reunion love story—probably the most believable I’ve read to date.
Blurb:
Working on highly sensitive diplomatic affairs, Darcy Prescott is a natural target for terrorist kidnappers. But when she’s mysteriously plucked off a street in Manila one sultry night, Darcy’s disappearance isn’t what it seems…
The moment Special Forces soldier Ethan Garrett laid eyes on Darcy, he knew she was the woman he would marry—and he did. But when their marriage fell apart, Ethan never really recovered. Now a highly paid bodyguard, Ethan quickly slips back into combat mode when he learns of Darcy’s disappearance and calls in old favors to assemble a rogue rescue team….
Tracking Darcy all the way to the jungles of the Philippines, Ethan knows every move he makes could mean the difference between life and death. His love for Darcy burns stronger than ever. But when he learns the true reason for her abduction, it may be too late to save her—or himself…
Everything about this book worked for me. The mystery, action, military ops, romance—everything. Gerard’s characters are fallible, her alphas human—as opposed to superhuman—and her heroines smart despite their inexperience. I plan to read the one title I’ve missed thus far in this series and then keep up with each new release.
Red Lily by Nora Roberts
Reading Nora Roberts is like schoolwork. You have to do it. I mean, how can you not read a new Nora Roberts book? Not sure, but there may even be a law about it somewhere.
At any rate, this trilogy has not been my all-time favorite from Roberts. Compared to my other romance reads (including her In Death series), this trilogy seemed benign. The first two books were also laden with gardening tutorials—detailed and technical enough to flunk the reader out of the book.
I dutifully put my name on the library’s list for Red Lily last month. When it came in, I trudged into the library like a mutinous teenager. Reading it fell on my list of chores. Seriously. Like I said, schoolwork.
I loved it. No kidding. By far the best of the three—with one of those competent heroes I mentioned earlier. Sure, we’ve known him since Blue Dahlia, but in Red Lily, we get to experience that male competence firsthand. We also get to see exactly why chattering, girly-girl Hayley is his perfect match. Roberts gives us that same taste of “quiet but powerful man who is amused, possessed by and make-me-swoon protective of his woman” we sampled in her early In Death books. That mix works well for me—without marginalizing the heroine or idealizing the hero.
If you were disappointed in the first two in this series, I encourage you to give Red Lily a chance. Roberts gives readers a can’t-miss love story and refrains from tutoring us on the science of gardening.
Wednesday, March 01, 2006
Thursday, February 23, 2006
February TBR Challenge - Yours Until Dawn
AngieW's February TBR Challenge - A New-to-Me Author
Title: Yours Until Dawn
Author: Teresa Medeiros
Year published: 2004
Why did you get this book? I am a huge historical fan. I can't believe that I have never read anything by her before. As a humongous fan of Lisa Kleypas and Julia Quinn, among others, she seemed a natural extension.
Do you like the cover? Covers usually aren't a huge plus or minus for me, but this one is actually quite pretty.
Did you enjoy the book? For the first 3/4 of the book, yes, thoroughly. This was the story of a proud man injured in war, blinded, abandoned by his fiancee while he lay injured in hospital, written off by his family as a "cripple" and embittered by his experiences. Yes, an oft told story, but I thought this might be different. Samantha, our heroine, doesn't take any crap from our hero Gabriel. She strives to give him pride in his own accomplishments, to prove to himself he can contribute productively. He does his best to prove her wrong; of course, proving her right in the process. The entire time, he is striving to discover whatever it is that she is obviously hiding. We, the reader, are kept in the dark as much as the hero.
That is, until the last quarter of the book when we discover...
that Samantha is actually Gabriel's long lost fiancee, who left the hospital in shock one day and came back the next to discover he was gone.
This book would have been so much more rewarding for me had Samantha been who she seemed - a down on her luck woman with no connection and nothing specifically to prove to Gabriel, and had Gabriel been able to put the past behind him and come to Samantha as a whole, recovered man - able to get over the abandonment of his fiancee and realize his worth in his own right.
Was the author new to you and would you read something by this author again? She was new to me, and I had heard nothing but good things about her. I enjoyed much of the book, and do enjoy her genre, so would be willing to give her another shot at it.
Are you keeping it or passing it on? I will most likely be donating this one to my local library with my next batch.
Anything else? Not much else to say. I was quite disappointed by the plot "twist" at the end, in this otherwise frequently done "beauty and the beast" storyline. I'm a pretty forgivcing reader, and am going to giver her another shot at it. If my next Medeiros novel doesn't impress me more, I think she will have lost me. So if any of you out there have a great suggestion for my next TM read, lay it on me!
Wednesday, February 15, 2006
Promises Prevail by Sarah McCarty
I read Sarah McCarty’s Promises Prevail for the first time last autumn. I read it again last night. All of it. It is my first re-read of 2006.This is how I felt after reading it the first time:
You know that feeling that overcomes even the strongest (intellectually, emotionally) women at times? The one that makes you literally want to crawl up and into a man that makes you feel safer than anyone or place on earth? The trace of hope you hold (along with your breath) when you think you've found that man, that safety? Then the relief you feel--however tenuous at first--once you get there? That is how this story made me feel from nearly the first page.
This is how I felt after reading it again:
You know that feeling that overcomes even the strongest (intellectually, emotionally) women at times? The one that makes you literally want to crawl up and into a man that makes you feel safer than anyone or place on earth? The trace of hope you hold (along with your breath) when you think you've found that man, that safety? Then the relief you feel--however tenuous at first--once you get there? That is how this story made me feel from nearly the first page.
While I do enjoy re-reading a favorite title now and again, I rarely fall under the same spell the second time around. I don’t expect to. I’m usually just looking to spend some time in the company of characters I enjoyed once, basking in the comfort of a familiar face or place.
In reading Promises Prevail again, I did find the comfort I was seeking. But I also found myself swept up in an emotional tide just as fierce as the first one. Again, I was so utterly captivated by Jenna's chance for happiness, I could not look away--not even when hearts were breaking all over the place.
McCarty’s characterization is so rich here, that the reader rides the same razor sharp edge between vulnerability and strength that Jenna does. In scenes equal parts disturbing and soothing, McCarty illustrates both the depth of Jenna’s emotional pain and her fierce determination to leave it behind. None more beautifully captures this struggle than the scene wherein Clint forces her to eat dinner.
For Clint, McCarty wields a brush of patience, painting him with the one trait every emotionally battered woman craves. Earlier in the Promises series, McCarty created a hero known for his patience and humor—weaved so tightly as to become indistinguishable. In this installment, McCarty lends her hero the same patience, but laces it with grit. It is a combination perfectly suited to drawing Jenna back into the world.
McCarty’s supporting characters—those we’ve met previously and a few new acquaintances—are drawn with the same care. I appreciated their depth and purpose, marveling at how adeptly McCarty uses them to add layers to Clint and Jenna. I also appreciated McCarty’s clear insistence on anchoring these characters to this story—refusing to mimic one of today’s most popular trends. I enjoy the anticipation of more series installments as much as the next person. I do not however, want to be pulled out of the story I’m reading by characters who jump in front of the camera, waving their arms and trying to call attention to themselves.
On one final characterization note, I have to mention the dog. Giving the dog equal footing as a member of the household showed true, true insight. You may laugh. But I know firsthand what it is to have a dog that commands this much attention, this much credence. I suspect McCarty also suffers this knowledge firsthand.
Aside from stunning characterization, I will forever re-read McCarty’s titles for their emotional impact. In scene after scene, McCarty epitomizes Jenna’s struggle between open-faced pain, deeply etched scars and the threadbare hope that compels her to live. In one such scene, Clint and Jenna begin their honeymoon in the barn, in a sexual encounter that places the reader in the same reluctant but determined mind of Jenna. It was tender, but disconcerting. Then, when Jenna mistakes kittens for rats in the barn’s darkness, she erupts into terror, startling the reader with its intensity. 'Sensory reaction' doesn't begin to describe the power of this scene, this book.
This book is an emotional read. No question. Whatever your state of mind, McCarty’s characters will drive you beneath the surface and leave you wrung out. As a reader, I am both awestruck and grateful for just such an experience. And for once, I can say that this re-read—Promises Prevail--delivered a powerful repeat performance.
Wednesday, February 08, 2006
February TBR Challenge - A New-To-Me Author
February TBR Challenge
Title: Code Of Honor
Author: Catherine Mann
Year published: July 2005
Why did you get this book?
Reviewed by my blogging partner in November. I had just finished Cindy Gerard’s To The Limit and was ripe for another contemporary that featured a hero of military (or police) background and the requisite heroine-in-danger. I added it to my TBR list, but only just got my hands on it last month.
Do you like the cover?
Cover is a bit busy, but I’m neither drawn nor swayed by book covers.
Did you enjoy the book?
Yes and no.
Yes, because it was both tightly written and richly descriptive—high compliments given the degree of action, the required amount of technical background and the development of both primary and secondary love stories. Mann packs a good deal of action and a wealth of military and technical information in here. Neither detracts from the tightly woven plot—which, BTW, is ultra modern, totally believable and the stuff of a sexy, military action film.
Yes, because Mann’s characterization is strong. These characters wandered in and out of my thoughts over the few days it took me to finish their book. For me, that is the clearest indication that the writer has succeeded in bringing her characters to life.
Yes, because I felt the tug, sensed the anticipation between Mann’s secondary H and H. The sexual tension was palpable, the characters the perfect shade of dark—standing equally distanced in the shadow of ‘right and wrong’.
Yes, because Mann fully developed and completed the secondary love story. The reader is not left wanting.
No, because I didn’t care for the primary H and H. Through no fault of the author however. At least I don’t think so. I’m fairly certain that my dislike stems from the heroine’s offer to be sex buddies with her best friend, the hero. Didn’t care for it. And that is exactly where the book starts. Because I was instantly turned off by that tact, I am assigning my dislike to these characters’ actions and not to any failure on Mann’s part to develop them with depth.
No, because I was in the mood for an alpha hero. Again, through no fault of the author, my mood called for a primary hero skilled at reading his woman. (Archaic and caveman, yeah, I know.) Joe always seems at a loss, fumbling when he should be finessing. While he suffered none of that awkwardness during sex, I found his approach to every other aspect of their relationship almost adolescent (totally lacking experience). Admittedly, in a different mood, I would have viewed this dynamic more favorably.
Would you read something by this author again?
Most definitely. The plotline and action were flawless, IMO. And the romance between the secondary H and H was compelling enough to elicit a sensory reaction.
Are you keeping it or passing it on?
Passing it on, but only because I keep so few books. My keeper shelf is exactly that—a shelf (as in one). I’m the one with the ever-clear countertops, remember? The freak that can’t tolerate too much stuff or too much noise in her personal space.
Anything else?
In addition to that brief, and inappropriate, insight into my personal life, I’ll go on ahead and admit to an obsession with Suzanne Brockmann’s SEAL books. While Catherine Mann, an author often recommended by Brockmann fans, delivers complex, exciting military action, she does not elicit the same level of attraction to the uniformed men that populate her story. I’ll read more Mann titles, but doubt I’ll experience the same draw that pulls me to a Brockmann SEAL.
Thursday, February 02, 2006
Trust in Me by Kathryn Shay
I finished this book last week, and I needed a good long time to think about it and wrap myself around it before I felt comfortable blogging about it. This is one very deep book. In a nutshell, here is the blurb from the back of the book:
As teenagers, they were called the Outlaws and they kept the police of Glen Oaks on their toes. Though the tight-knit group has left their checkered pasts behind, time has not been kind to the six friends. Beth Donovan is now a widow raising a teenage son alone. Linc and Margo are living proof that sometimes love is not enough. And Joe has hurt Annie as badly as a man can hurt a woman…
But now, the man blamed for Beth’s husband’s death is back in town. Three-time Winston up champ Tucker Quaid has come to try to revive Glen Oaks’ flagging racing scene. His very presence sends Beth’s already troubled son into a downward spiral. With her friends rallying around her, old grievances – and passions – flare. Just when they thought their crazy days were over, the Outlaws are about to discover that no one can predict what lies around the next turn on the track…
This story of six best friends from a small town in New York is incredibly emotional. Shay runs the gamut from physical and emotional domestic abuse to a religious cult’s physical and emotional abuse of a child, from child abandonment to peer pressure, from sexual harassment in the workplace to the death of a spouse, and its effects on the spouse and children left behind. Along the way, these characters discover forgiveness, redemption and normalcy, and rediscover the strength of friendship.
Kathryn Shay has chosen not one tough topic to tackle, but several, and does it with sensitivity and depth. The plot never sags or moves too quickly. All the characters are realistically drawn; intensely emotional, sensitive, and believable. The beginning of the story flashes us back 20 years to the teenage years of this motley crew. We learn about the family life of each of the six teenagers, both the good and the bad. We come to understand the feeling of disenfranchisement that so many teenagers, particularly small-town youth, feel. We feel for these kids, and care about them – despite their delinquent tendencies – while at the same time wanting to beat some sense into them as if they were our own children, wondering the whole time how parents could let their children end up so disengaged from the society in which they live.
Linc and Beth, brother and sister whose parents died and who were left with emotionally unavailable and elderly grandparents to run amok in the town, were taken in by the owner of the town diner, after an attempted robbery. (Phew, there was a run-on sentence!) This is their first experience with forgiveness, one which shapes the rest of their lives. We learn that he gave them the support they needed to become caring, responsible adults.
Flash forward to present day. We learn that Linc has become a minister. My only complaint with the character development, much of which is gleaned through flashbacks, and most of which was flawless, was that I never did fully and completely understand what drove Linc to the church. Yes, the forgiveness he received from the victim of his crime was obviously a driving factor, but with much of the backstory told in flashback, a quick remembrance of a past conversation would have been enough to satisfy this little niggling sense of unfulfilled desire for a further look into the inner workings of Linc's mind. Mind you, this didn't spoil the story for me, because there was enough there, but I felt like there could have been more. Linc’s entire adult life is based on his deep and abiding belief in God, and it would have been nice to understand a bit more fully why that is. Shay did get her point across, though, that it was the guidance and love of the diner’s owner that brought Linc to that special place in his life, which is why I only felt slightly cheated rather than letting it become a story ender for me. Because the rest of his character is fully developed, and completely whole. Throughout Linc’s story, he never loses that distinct “Lincness” that we come to know and love in the telling of his teenage experiences. Shay shows that ministers are normal, everyday people, with regular feelings, hopes and desires.
The rest of the characters are amazingly well drawn, thoroughly fleshed out, and intensely alive to the reader. We watch a woman with no belief in God – in fact, an intense disbelief – struggle with her love for a minister. We watch the victim of wife abuse come to terms with the return of her seemingly reformed abusive husband. We see a widow and her son come to grips with the return of the man they hold responsible for their husband/father’s death. We watch a teenager struggle with grown up issues and learn how to deal with life responsibly.
None of this is done tritely; all involved are deeply emotional, hurt, intense, struggling, loving, realistic human beings. Watching the love, support and caring between the lifelong friends is really beautiful. Shay shows that real grown ups can have truly meaningful friendships and support one another through thick and thin, while never losing their ability to be their own people. All of the characters want a normal life, and the journey there is the point of the story. What is a normal life? How do we deal with horrific events in our lives? How do we deal with everyday pressures and desires? How do we love and protect our children while teaching them to be responsible, caring, contributing adult members of our communities? How do we come to terms with the understanding that what we desire with all our heart is unavailable to us? How do we learn to forgive and move on? All these issues and more are explored in depth – not an easy feat in a 400 page novel. Yet, I didn’t feel cheated on this journey. I felt complete at the end.
If you are looking for a light, fast love story, this is definitely not it. This is not a typical love story between a man and a woman. Don't get me wrong, this is definitely a romance, not chick lit, and love and sexual attraction play a huge role in the story. But it is also a deep, heartfelt look at adult life and love, problems and solutions, forgiveness, redemption and absolution. I have never read a contemporary romance that affected me more. Kathryn Shay has never disappointed me, and this one is no exception. I strongly recommend it.
As teenagers, they were called the Outlaws and they kept the police of Glen Oaks on their toes. Though the tight-knit group has left their checkered pasts behind, time has not been kind to the six friends. Beth Donovan is now a widow raising a teenage son alone. Linc and Margo are living proof that sometimes love is not enough. And Joe has hurt Annie as badly as a man can hurt a woman…
But now, the man blamed for Beth’s husband’s death is back in town. Three-time Winston up champ Tucker Quaid has come to try to revive Glen Oaks’ flagging racing scene. His very presence sends Beth’s already troubled son into a downward spiral. With her friends rallying around her, old grievances – and passions – flare. Just when they thought their crazy days were over, the Outlaws are about to discover that no one can predict what lies around the next turn on the track…
This story of six best friends from a small town in New York is incredibly emotional. Shay runs the gamut from physical and emotional domestic abuse to a religious cult’s physical and emotional abuse of a child, from child abandonment to peer pressure, from sexual harassment in the workplace to the death of a spouse, and its effects on the spouse and children left behind. Along the way, these characters discover forgiveness, redemption and normalcy, and rediscover the strength of friendship.
Kathryn Shay has chosen not one tough topic to tackle, but several, and does it with sensitivity and depth. The plot never sags or moves too quickly. All the characters are realistically drawn; intensely emotional, sensitive, and believable. The beginning of the story flashes us back 20 years to the teenage years of this motley crew. We learn about the family life of each of the six teenagers, both the good and the bad. We come to understand the feeling of disenfranchisement that so many teenagers, particularly small-town youth, feel. We feel for these kids, and care about them – despite their delinquent tendencies – while at the same time wanting to beat some sense into them as if they were our own children, wondering the whole time how parents could let their children end up so disengaged from the society in which they live.
Linc and Beth, brother and sister whose parents died and who were left with emotionally unavailable and elderly grandparents to run amok in the town, were taken in by the owner of the town diner, after an attempted robbery. (Phew, there was a run-on sentence!) This is their first experience with forgiveness, one which shapes the rest of their lives. We learn that he gave them the support they needed to become caring, responsible adults.
Flash forward to present day. We learn that Linc has become a minister. My only complaint with the character development, much of which is gleaned through flashbacks, and most of which was flawless, was that I never did fully and completely understand what drove Linc to the church. Yes, the forgiveness he received from the victim of his crime was obviously a driving factor, but with much of the backstory told in flashback, a quick remembrance of a past conversation would have been enough to satisfy this little niggling sense of unfulfilled desire for a further look into the inner workings of Linc's mind. Mind you, this didn't spoil the story for me, because there was enough there, but I felt like there could have been more. Linc’s entire adult life is based on his deep and abiding belief in God, and it would have been nice to understand a bit more fully why that is. Shay did get her point across, though, that it was the guidance and love of the diner’s owner that brought Linc to that special place in his life, which is why I only felt slightly cheated rather than letting it become a story ender for me. Because the rest of his character is fully developed, and completely whole. Throughout Linc’s story, he never loses that distinct “Lincness” that we come to know and love in the telling of his teenage experiences. Shay shows that ministers are normal, everyday people, with regular feelings, hopes and desires.
The rest of the characters are amazingly well drawn, thoroughly fleshed out, and intensely alive to the reader. We watch a woman with no belief in God – in fact, an intense disbelief – struggle with her love for a minister. We watch the victim of wife abuse come to terms with the return of her seemingly reformed abusive husband. We see a widow and her son come to grips with the return of the man they hold responsible for their husband/father’s death. We watch a teenager struggle with grown up issues and learn how to deal with life responsibly.
None of this is done tritely; all involved are deeply emotional, hurt, intense, struggling, loving, realistic human beings. Watching the love, support and caring between the lifelong friends is really beautiful. Shay shows that real grown ups can have truly meaningful friendships and support one another through thick and thin, while never losing their ability to be their own people. All of the characters want a normal life, and the journey there is the point of the story. What is a normal life? How do we deal with horrific events in our lives? How do we deal with everyday pressures and desires? How do we love and protect our children while teaching them to be responsible, caring, contributing adult members of our communities? How do we come to terms with the understanding that what we desire with all our heart is unavailable to us? How do we learn to forgive and move on? All these issues and more are explored in depth – not an easy feat in a 400 page novel. Yet, I didn’t feel cheated on this journey. I felt complete at the end.
If you are looking for a light, fast love story, this is definitely not it. This is not a typical love story between a man and a woman. Don't get me wrong, this is definitely a romance, not chick lit, and love and sexual attraction play a huge role in the story. But it is also a deep, heartfelt look at adult life and love, problems and solutions, forgiveness, redemption and absolution. I have never read a contemporary romance that affected me more. Kathryn Shay has never disappointed me, and this one is no exception. I strongly recommend it.
Sunday, January 22, 2006
Black Ice by Anne Stuart
It feels like it took me a year to get my hands on this book. Of my many TBR lists, this title fell on one compiled from other reader reviews (i.e. Rosario, et al). Every review, every mention caught my attention and held it. Only problem was in locating the book. I live rurally (pix below) and, unlike in the city, am unable to run out and pick up a specific title right when the urge hits me. So the urge usually passes, I record title and author on a list and move on.
This one kept nagging me. And when I saw mention of its dark hero again last week, I couldn't take it anymore. I ordered it online and had it in my hands in days. At last.
Blurb:
Living paycheck to paycheck in Paris, American book translator Chloe Underwood would give anything for some excitement and passion--even a little danger. So when she's offered a lucrative weekend gig translating at a business conference in a remote chateau, she jumps at the chance to shake things up.
Then by chance Chloe discovers her employers are anything but the entrepreneurs they appear, and suddenly she knows far too much. Her clients are illegal arms dealers, and one of them is ordered to kill her. But instead, Bastien Toussaint drags Chloe away, and the next thing she knows she's on the run with the most terrifying and seductive man she's ever met.
What were his motives--and would she live long enough to find out?
This hero is indeed dark. But Stuart portrays him honestly and without apology. It is the frankness with which she introduces Bastien that triggered my senses and kept me guessing until the end. The potential for him to be evil incarnate did not turn me from the story. Instead, it compelled me to keep watching him and waiting, page after page. That his own core is unknown even to him is fascinating. It is also what makes the story believable. Had Stuart given us a patent explanation for Bastien's actions, I would have been disappointed. Thankfully, Stuart chose to unearth his conscious silently--through impulse and instinct--with a destination known only to Stuart. "Page turner" doesn't begin to describe the pace of this story.
I liked the heroine as well; and thought her worthy of Bastien's obsession. I'll admit to find her a bit immature at moments, but really, Stuart paints her as close to the truth as I can tell. I imagine torture, terror and desperation give license to the occasional lapse in composure.
Just as she did with Bastien's motivation, Stuart reveals little in the telling of Bastien and Chloe's love affair. When it ultimately overcomes them, the reader is sucked under with the same force. I felt it. Sigh. I just love a romance where emotion runs as a current, under and through each scene, never overtly recognized or acknowledged until it sucks you under, changes the course of the story, ...and every other metaphor you can think of here.
Great read. My thanks to Anne Stuart.
Wednesday, January 18, 2006
He Said.... the Gentleman's Club Series
I have been totally broke since the holidays, so spent my time rereading some old favorites. Patricia Waddell's Gentleman's Club historical series is wonderful. It's about a group of men, their lives and loves. The ties between the books come from the friendship of 5 men, and their weekly card game with the Duke of Morland, who was a friend to all their fathers. An interesting twist, one unfotunately too seldom seen, to see these men all truly respecting the older man, and displaying signs of true friendship and comeraderie throughout the entire series. So, without further ado...
He Said Yes... This, really the 2nd (the first was a short in an anthology that, actually, I never read, but you don't need to read it to begin with this 1st full length), is a story about the Marquis of Waltham, Marshall. He is looking for a long term relationship, although has no intention of marrying. So, a mistress it will be, but he is sick of the "scene" and wants someone he can truly care about (without marrying her, of course). He meets Evelyn Dennsworth. She works in a dressshop, she's the daughter of a pastor, and has been arrested and accused of theft. He feels drawn to her and can't help but exert his standing in society to assist her in clearing herself of the charges. The description of Evelyn's feelings as she goes to trial is remarkable, you really feel the terror and shame right along with her. Marshall takes her home to his estate under the guise of being a companion to his stepmother, who has recently lost her husband, Marshall's father. You can guess the rest.
What is wonderful about this book is the depth of character development - Waddell doesn't shy away from the agonizing feelings of despondence and guilt for going on without your true love (his father's was truly a love match). In many ways, this is really Evelyn and Constance's (the stepmother) story. How Evelyn unselfishly draws Constance out of her shell of grief is beautifully and sensitively written. Marshall's precocious 10 year old half-sister is a wonderful character, full of life and love for her family - no spoiled villains in this family.
Marshall is also truly unselfish, loving his stepmother and wanting her to be whole again. He understands her grief, because he, too, loved his father completely and without reservation. She does not miraculously recover from losing her husband of 20 years. Her descent into grief and laborious climb out of its depths is emotional for all the characters, and therefore to the reader as well.
There is not a false moment, a false feeling or emotion in this book. Although he wants Evelyn for his mistress, he firmly believes she is the right person to be Constance's companion. Watching the love and depth of feeling unfold between Marshall and Evelyn is wonderful as well. Their strength and passion and character are well portrayed. Waddell doesn't rush these feelings, and gives them time to develop. As the reader, by the time I knew they were truly in love, I had totally bought into it. The story is believably, beautifully written. Highly recommended.
He Said No... This is the story of the Earl of Granville. On a trip to the country, he is nearly overrun (or run over) by Catherine, who is racing on a horse that he discovers he would do almost anything to have. As payment for the near accident, he demands a kiss. He then goes to her house to visit her father, a well respected horse breeder to see if he can purchase the horse that Catherine was riding. Naturally, he is invited to stay.
Catherine is high-spirited, not wanting to be married, after seeing how her two best friends became miserable in their marriages. She is constantly challenging Norton - in spirit and in fact. After each run-in, he demands a kiss. They run into trouble when they race and Norton is injured. As he recuperates, Catherine is overcome with guilt and goes to his room to apologize and see if she can help. Naturally, he demands another kiss, and this time it gets out of hand. They are caught and forced into an engagement. Catherine fights this tooth and nail, not wanting to see Norton change after marriage, as her friend's husbands did.
They don't marry immediately, Catherine trying to find a way out, but soon she finds herself seduced into the marriage. As they discover more about each other, their hopes, dreams, and fears, they fall in love.
This book is lighter in tone than He Said Yes, with loads of humor scattered throughout. It is not quite as satisfying a read as He Said Yes, but is enjoyable nonetheless.
He Said Now... This book is another serious one, with a hero who suffers from a case of PTSD after the Crimean war, and a strong, self-sufficient heroine determined to discover his secrets and help him through it. Fitch, our hero, discovers he has a daughter, conceived on a last night of play before he goes off to war. Lizzie, his nine year old daughter is under the guardianship of Hilary, who was a close friend of her mother's (now deceased). Hilary finds Fitch to tell him about Lizzie, and doesn't think he'll want anything to do with her. Fitch discovers that Lizzie is a delight and he wants to spend as much time with her as possible. Fitch and Hilary embark on a marriage of convenience to best care for Lizzie.
Waddell once again displays the beautiful writing that she employed in He Said Yes, writing Fitch's journey of self-dis-covery and re-covery in a sensitive, thoughtful manner. Although he participates fully in their marriage, being a warm and caring husband and father, he holds a piece of himself distant - the soldier who saw too much bloodshed and heartache on the bloody battlefields of war and holds secrets too horrendous to share. The more his emotions become engaged with Hilary, the more he holds himself back, believing himself to be not a whole being any longer, and therefore unworthy of a true, honest, loving relationship. Waddell draws him beautifully, as his true character comes out in many ways - a fun, loving father, and a warm, tender lover and husband. When a friend and fellow soldier commits suicide and leaves his diary to Fitch, he withdraws more and more into his memories as he reads through it.
The dichotomy of character that many war veterans display is fully explored here, one minute loving the next minute angry and sullen. Waddell ventures into the early world of psychiatry as well, when Hilary seeks the help of a cutting edge physician who treats soldiers with PTSD (of course it wasn't called that). Her unselfish, undying support of Fitch as he travels this journey is heartfelt and true. She wants him to heal not just for the health of their marriage, but so that he can be truly happy and emotionally healthy once again. This is the second book I've read with a hero who is a veteran of the Crimean war (the other being the powerful and poignant England's Perfect Hero by Suzanne Enoch, which I can't recommend highly enough). It seems that was a particularly bloody and horrific war for the British. Waddell, as does Enoch, beautifully and accurately portrays the many faces of PTSD and its consequences for not only the veteran, but his family as well. Highly recommended.
He Said Never... The last in the series, this is the story of the Viscount Rathbone, as he faces unexpected love, unheralded teasing from his buddies, and a surprise twist at the end. He is certainly the wildest of the bunch, going from woman to woman, creating quite a rakish reputation for himself, vowing never to marry. He finds Prudence Tamhill, the ward of a duke, out and about in after dark alone. He delivers her safely home (after stealing several kisses from her, of course), then pursues her relentlessly in order to win a bet with some friends (not our circle of friends in the series). This bet has him in her room in the middle of the night attempting to steal a ring she was supposed to give him in "friendship" as proof of his win. She, of course, wakes up, and they are soon discovered in a compromising position.
He has watched his friends one by one succumb to love and marriage and children, and when he is caught in Prudence's bed (they didn't actually "do it"), he agrees to marry her; actually, he insists on it, but Prudence is unaware of that, believing he was forced as much as she. He soon discovers he is quite happy with his situation, and looks forward to marriage to Prudence. Prudence has discovered through her mother's diary that she is not the product of her mother's marriage, but the product of an affair with the true love of her mother's life. They soon get caught up in Prudence's mysterious search for her father, which leads them all over England. During their travels, they fall in love.
This was the most stereotypical of the series, although still a delightful read. It conforms to the usual "boy meets girl, boy compromises girl, boy marries girl, boy and girl fall in love" scenario, but that didn't really diminish my enjoyment of the book. If I didn't like that formula, I wouldn't be such a fan of historicals, apparently. But I digress. During the course of the book, Prudence learns more about her mother, and her fateful relationship with her father. She learns she is the product of love (I guess that's where the term "love child" comes from *g*), which pleases her immensely, as she was not close with the man who she thought was her father for most of her life. The surprise twist as we find out who her real father is, and the confrontational scene that ensued were flawlessly executed, leaving me smiling and snickering.
So, to wrap it all up with a quote from another reviewer, this is a series of books that are "witty and sensual romances with heroes you could fall for and heroines you can respect." It is thoroughly enjoyable to revisit all the other couples from the series. Waddell carries their friendships throughout each book, complete with the weekly card game with the Duke, where the men have to explain themselves if they are absent. It's a blast to watch these otherwise confident, take-no-prisoners men quiver in their boots when they discuss facing the duke if they don't show up for a game. There is also a fun twist where the friends recognize and acknowledge that it seems whoever serves as the best man in their friend's wedding seems to be the next one to the altar. The scene in Fitch's book where Benjamin (Rathbone) very reluctantly agrees to be the best man is hilarious - a light note in an otherwise serious story. In fact, they are all quite reluctant to serve as best man, knowing they might be next, giving a fun twist to what should be an honor for a close friend.
I like the fact that none of these couples immediately falls in love - Waddell takes the time to build their relationships within believable timeframes within each story. I really enjoyed this series. I'll confess that knowing the final twist the second time around did lessen my enjoyment of the ending of the final book just a smidge, but it didn't truly bother me. The books are well written and complete enough that I enjoyed them the second time almost as much as the first.
He Said Yes... This, really the 2nd (the first was a short in an anthology that, actually, I never read, but you don't need to read it to begin with this 1st full length), is a story about the Marquis of Waltham, Marshall. He is looking for a long term relationship, although has no intention of marrying. So, a mistress it will be, but he is sick of the "scene" and wants someone he can truly care about (without marrying her, of course). He meets Evelyn Dennsworth. She works in a dressshop, she's the daughter of a pastor, and has been arrested and accused of theft. He feels drawn to her and can't help but exert his standing in society to assist her in clearing herself of the charges. The description of Evelyn's feelings as she goes to trial is remarkable, you really feel the terror and shame right along with her. Marshall takes her home to his estate under the guise of being a companion to his stepmother, who has recently lost her husband, Marshall's father. You can guess the rest.
What is wonderful about this book is the depth of character development - Waddell doesn't shy away from the agonizing feelings of despondence and guilt for going on without your true love (his father's was truly a love match). In many ways, this is really Evelyn and Constance's (the stepmother) story. How Evelyn unselfishly draws Constance out of her shell of grief is beautifully and sensitively written. Marshall's precocious 10 year old half-sister is a wonderful character, full of life and love for her family - no spoiled villains in this family.
Marshall is also truly unselfish, loving his stepmother and wanting her to be whole again. He understands her grief, because he, too, loved his father completely and without reservation. She does not miraculously recover from losing her husband of 20 years. Her descent into grief and laborious climb out of its depths is emotional for all the characters, and therefore to the reader as well.
There is not a false moment, a false feeling or emotion in this book. Although he wants Evelyn for his mistress, he firmly believes she is the right person to be Constance's companion. Watching the love and depth of feeling unfold between Marshall and Evelyn is wonderful as well. Their strength and passion and character are well portrayed. Waddell doesn't rush these feelings, and gives them time to develop. As the reader, by the time I knew they were truly in love, I had totally bought into it. The story is believably, beautifully written. Highly recommended.
He Said No... This is the story of the Earl of Granville. On a trip to the country, he is nearly overrun (or run over) by Catherine, who is racing on a horse that he discovers he would do almost anything to have. As payment for the near accident, he demands a kiss. He then goes to her house to visit her father, a well respected horse breeder to see if he can purchase the horse that Catherine was riding. Naturally, he is invited to stay.
Catherine is high-spirited, not wanting to be married, after seeing how her two best friends became miserable in their marriages. She is constantly challenging Norton - in spirit and in fact. After each run-in, he demands a kiss. They run into trouble when they race and Norton is injured. As he recuperates, Catherine is overcome with guilt and goes to his room to apologize and see if she can help. Naturally, he demands another kiss, and this time it gets out of hand. They are caught and forced into an engagement. Catherine fights this tooth and nail, not wanting to see Norton change after marriage, as her friend's husbands did.
They don't marry immediately, Catherine trying to find a way out, but soon she finds herself seduced into the marriage. As they discover more about each other, their hopes, dreams, and fears, they fall in love.
This book is lighter in tone than He Said Yes, with loads of humor scattered throughout. It is not quite as satisfying a read as He Said Yes, but is enjoyable nonetheless.
He Said Now... This book is another serious one, with a hero who suffers from a case of PTSD after the Crimean war, and a strong, self-sufficient heroine determined to discover his secrets and help him through it. Fitch, our hero, discovers he has a daughter, conceived on a last night of play before he goes off to war. Lizzie, his nine year old daughter is under the guardianship of Hilary, who was a close friend of her mother's (now deceased). Hilary finds Fitch to tell him about Lizzie, and doesn't think he'll want anything to do with her. Fitch discovers that Lizzie is a delight and he wants to spend as much time with her as possible. Fitch and Hilary embark on a marriage of convenience to best care for Lizzie.
Waddell once again displays the beautiful writing that she employed in He Said Yes, writing Fitch's journey of self-dis-covery and re-covery in a sensitive, thoughtful manner. Although he participates fully in their marriage, being a warm and caring husband and father, he holds a piece of himself distant - the soldier who saw too much bloodshed and heartache on the bloody battlefields of war and holds secrets too horrendous to share. The more his emotions become engaged with Hilary, the more he holds himself back, believing himself to be not a whole being any longer, and therefore unworthy of a true, honest, loving relationship. Waddell draws him beautifully, as his true character comes out in many ways - a fun, loving father, and a warm, tender lover and husband. When a friend and fellow soldier commits suicide and leaves his diary to Fitch, he withdraws more and more into his memories as he reads through it.
The dichotomy of character that many war veterans display is fully explored here, one minute loving the next minute angry and sullen. Waddell ventures into the early world of psychiatry as well, when Hilary seeks the help of a cutting edge physician who treats soldiers with PTSD (of course it wasn't called that). Her unselfish, undying support of Fitch as he travels this journey is heartfelt and true. She wants him to heal not just for the health of their marriage, but so that he can be truly happy and emotionally healthy once again. This is the second book I've read with a hero who is a veteran of the Crimean war (the other being the powerful and poignant England's Perfect Hero by Suzanne Enoch, which I can't recommend highly enough). It seems that was a particularly bloody and horrific war for the British. Waddell, as does Enoch, beautifully and accurately portrays the many faces of PTSD and its consequences for not only the veteran, but his family as well. Highly recommended.
He Said Never... The last in the series, this is the story of the Viscount Rathbone, as he faces unexpected love, unheralded teasing from his buddies, and a surprise twist at the end. He is certainly the wildest of the bunch, going from woman to woman, creating quite a rakish reputation for himself, vowing never to marry. He finds Prudence Tamhill, the ward of a duke, out and about in after dark alone. He delivers her safely home (after stealing several kisses from her, of course), then pursues her relentlessly in order to win a bet with some friends (not our circle of friends in the series). This bet has him in her room in the middle of the night attempting to steal a ring she was supposed to give him in "friendship" as proof of his win. She, of course, wakes up, and they are soon discovered in a compromising position.
He has watched his friends one by one succumb to love and marriage and children, and when he is caught in Prudence's bed (they didn't actually "do it"), he agrees to marry her; actually, he insists on it, but Prudence is unaware of that, believing he was forced as much as she. He soon discovers he is quite happy with his situation, and looks forward to marriage to Prudence. Prudence has discovered through her mother's diary that she is not the product of her mother's marriage, but the product of an affair with the true love of her mother's life. They soon get caught up in Prudence's mysterious search for her father, which leads them all over England. During their travels, they fall in love.
This was the most stereotypical of the series, although still a delightful read. It conforms to the usual "boy meets girl, boy compromises girl, boy marries girl, boy and girl fall in love" scenario, but that didn't really diminish my enjoyment of the book. If I didn't like that formula, I wouldn't be such a fan of historicals, apparently. But I digress. During the course of the book, Prudence learns more about her mother, and her fateful relationship with her father. She learns she is the product of love (I guess that's where the term "love child" comes from *g*), which pleases her immensely, as she was not close with the man who she thought was her father for most of her life. The surprise twist as we find out who her real father is, and the confrontational scene that ensued were flawlessly executed, leaving me smiling and snickering.
So, to wrap it all up with a quote from another reviewer, this is a series of books that are "witty and sensual romances with heroes you could fall for and heroines you can respect." It is thoroughly enjoyable to revisit all the other couples from the series. Waddell carries their friendships throughout each book, complete with the weekly card game with the Duke, where the men have to explain themselves if they are absent. It's a blast to watch these otherwise confident, take-no-prisoners men quiver in their boots when they discuss facing the duke if they don't show up for a game. There is also a fun twist where the friends recognize and acknowledge that it seems whoever serves as the best man in their friend's wedding seems to be the next one to the altar. The scene in Fitch's book where Benjamin (Rathbone) very reluctantly agrees to be the best man is hilarious - a light note in an otherwise serious story. In fact, they are all quite reluctant to serve as best man, knowing they might be next, giving a fun twist to what should be an honor for a close friend.
I like the fact that none of these couples immediately falls in love - Waddell takes the time to build their relationships within believable timeframes within each story. I really enjoyed this series. I'll confess that knowing the final twist the second time around did lessen my enjoyment of the ending of the final book just a smidge, but it didn't truly bother me. The books are well written and complete enough that I enjoyed them the second time almost as much as the first.
Tuesday, January 17, 2006
Full Ride by Gail Faulkner - SPOILERS
I read Full Ride by Gail Faulkner nearly two weeks ago. Upon reading the last page, I promptly sent her an email. It read like this:
Bleep.
I'll need to let it all sink down to my bones before I can do it justice with a public reader review.
Bleep bleep Gail.
Jennifer B, needs to rest now
Then I left her hanging; with no response for a week. Can you say RUDE?
So, before I start, my apologies again Gail.
As for Full Ride, it was not at all what I expected. Having read SlipKnot, the second in this series, I assumed the storyline would follow a special ops scenario with an agent hero protecting a heroine in either a victim role or perhaps the role of perpetrator. I enjoyed this theme in SlipKnot and assumed its precursor was a similar tale featuring one of Rem’s teammates.
In addition to that expectation, I should also note that I did not categorize Full Ride as BDSM. Of course I never looked it up either. I just gathered bits of information about it via the Ellora’s Cave reader / author loop. Earlier this month, when readers began discussing their favorite BDSM reads, I was surprised to see Full Ride listed in the collective recommendations. I had it on my TBR list, so I read it.
Surprises
BDSM. Yep. Portrayed for what it is. Right from the start. My eyes were bulging by page two. I’m a reluctant fan of BDSM. A fan because I do find domination intensely erotic. Reluctant because I so rarely find a book that places its characters in such intimate and vulnerable scenes with grace and believability. Faulkner accomplishes this quite cleverly in Full Ride. In large part because she starts the story by inviting readers to witness a night of BDSM contracted and carried out by two strangers. It was not difficult to accept their behavior, and for me, that is more than half the battle.
The story of a relationship. Instead of drawing readers into a tale of special ops intrigue, Faulkner gives us a black ops hero, back stateside and trying to move forward with his life. Full Ride is the story of how this hero, Gray, connects with the heroine, Prin. And where that connection takes them. Watching it unfold, the reader is privy only to those emotions and insecurities each character is able to reveal. Faulkner keeps this emotional focus, engaging the reader without cluttering the tale with mystery or other typical special ops plot devices.
The connection. My biggest criticism of erotic romance is that it so often fails to bring two characters—who engage in scorching sex—together emotionally. I am so rarely convinced of any real emotional or spiritual connection—a connection that is an absolute must if we are to believe the physical relationship. In Full Ride, Faulkner employs a wonderful and surprising medium to establish the first thread of communication between Gray and Prin. I loved it. I was enchanted and eagerly made the leap to believing it. I was equally impressed by Faulkner’s refusal to bank the emotional relationship on this exchange alone. Instead, she made these two work to reach each other; to give of themselves willingly to each other.
The threat. Like I said. Faulkner does not employ any plot devices one would expect in a story featuring a special ops hero. She does, however, deliver a very human, very emotional threat to the couple’s happiness and future. One I only began to suspect near the story’s end. Again, bucking stereotypes and tired storylines, Faulkner introduces and dispatches of the threat without offending the readers’ intelligence. She uses this twist only to cement what is a fragile hold on happiness—drawing readers deeper into the magic of Gray and Prin’s bond.
I liked every surprise, every facet of Full Ride. I thought it clever, unique—even mystical. I also found it further evidence that readers can count on Gail Faulkner to touch them—the highest praise I can offer.
Thank you Gail.
Monday, January 16, 2006
Always seem to be coming from behind
I never intended for this blog to take on a digest format. But, here I go again—summarizing books read more than a week ago. Consumed under duress and only now (vaguely) recollected.
Lady Sophia’s Lover and Then Came You by Lisa Kleypas
Working my way through Kleypas’ backlist. I read these two plus 4 other books in the span of 3 days. Of the 6, both Kleypas titles stand out. I particularly liked LSL—and having read Nick Gentry’s story (Worth Any Price) before this one, I experienced LSL as I would a prequel. The only quibble I have is with the characterization of Ross. I wasn’t wholly convinced this was the same person I was introduced to in Someone To Watch Over Me and then revisited in Worth Any Price. In both of those later titles, Ross is depicted as a much harsher man. In his own story, I looked forward to seeing how Kleypas would dismantle his defenses to let a woman in. What I found however, was a man who seemed more than ready to accept another woman into his life; I don’t recall much resistance. It wasn’t a letdown in any sense, just not what I expected.
I’m pretty sure I skimmed Then Came You. Thinking back to how this book affected me, I don’t recall being tugged into the story. Instead, I recall not liking either the hero or heroine very much. Thinking back on the storyline however, I have to say it was very much my cup of tea. I like the whole woman out of control, burdened beyond understanding thing; and the relatively silent (read misunderstood or unknown), controlling alpha that simply commandeers her and her problems. Reminds me just slightly of SEP’s To Kiss An Angel. At any rate, I’ll admit to liking this one, but recognize that I really need to go back and READ it front to back—no skipping around or skimming.
A Lady of His Own by Stephanie Laurens
Also working through this author’s backlist. Of the 6 titles I read, this one provided the most potent escape. It was the first Laurens I’d read in awhile and I was reminded of how much I like her characters, their dialogue, and their actions. I let everything go and just enjoyed living in their world for the duration. This one, another in the Bastion Club series, was excellent. I enjoyed every single aspect.
Much Ado About You by Eloisa James
I’ve been a longtime fan of Eloisa James, but had yet to begin this series. In fact, the last James title I read was Midnight Pleasures, published in 2001. I’ve been meaning to catch up with her work for a while. Having read Much Ado About You, I can safely say I still enjoy this author. However, because my discovery of other historical romance authors like Laurens and Kleypas has changed my expectations somewhat, I was not as bowled over as I recalled being by James’ Potent Pleasures or Midnight Pleasures. James’ characters stick very much to socially acceptable behavior—to the point of driving the reader near nuts. Their staunch refusal to run headlong into anything “inappropriate” gave the women the appearance of being weaker, less smart. The same reluctance in the men left me feeling like they were not as strong, not as “alpha”, as I would have liked. All in all, I found myself more annoyed then enamored.
To Love A Man by Karen Robards
This one was lying about the waiting room ‘library’. It was a fast, relatively predictable read. Very 80’s, although I’m not exactly sure when it was published. The connection between hero and heroine was a disconnect for me—not for a minute could I believe that a woman experiencing such trauma—physical and emotional—would just roll over and do the first man she opens her eyes to. I kept reading though, because I was out of my own books. It wasn’t a total loss really; just not a book I would hold onto for more than a few minutes.
For The Roses by Julie Garwood
Another book lying about. This is the only Garwood book I’ve NOT read previously. It was good. I’m glad I had opportunity to read it. I will say however, that nothing—including this title—compares to the Scottish Laird takes English bride stories that made me fall in love with Garwood. If anything, reading For The Roses served to remind me that I’m about due to re-read The Secret again.
Lady Sophia’s Lover and Then Came You by Lisa Kleypas
Working my way through Kleypas’ backlist. I read these two plus 4 other books in the span of 3 days. Of the 6, both Kleypas titles stand out. I particularly liked LSL—and having read Nick Gentry’s story (Worth Any Price) before this one, I experienced LSL as I would a prequel. The only quibble I have is with the characterization of Ross. I wasn’t wholly convinced this was the same person I was introduced to in Someone To Watch Over Me and then revisited in Worth Any Price. In both of those later titles, Ross is depicted as a much harsher man. In his own story, I looked forward to seeing how Kleypas would dismantle his defenses to let a woman in. What I found however, was a man who seemed more than ready to accept another woman into his life; I don’t recall much resistance. It wasn’t a letdown in any sense, just not what I expected.
I’m pretty sure I skimmed Then Came You. Thinking back to how this book affected me, I don’t recall being tugged into the story. Instead, I recall not liking either the hero or heroine very much. Thinking back on the storyline however, I have to say it was very much my cup of tea. I like the whole woman out of control, burdened beyond understanding thing; and the relatively silent (read misunderstood or unknown), controlling alpha that simply commandeers her and her problems. Reminds me just slightly of SEP’s To Kiss An Angel. At any rate, I’ll admit to liking this one, but recognize that I really need to go back and READ it front to back—no skipping around or skimming.
A Lady of His Own by Stephanie Laurens
Also working through this author’s backlist. Of the 6 titles I read, this one provided the most potent escape. It was the first Laurens I’d read in awhile and I was reminded of how much I like her characters, their dialogue, and their actions. I let everything go and just enjoyed living in their world for the duration. This one, another in the Bastion Club series, was excellent. I enjoyed every single aspect.
Much Ado About You by Eloisa James
I’ve been a longtime fan of Eloisa James, but had yet to begin this series. In fact, the last James title I read was Midnight Pleasures, published in 2001. I’ve been meaning to catch up with her work for a while. Having read Much Ado About You, I can safely say I still enjoy this author. However, because my discovery of other historical romance authors like Laurens and Kleypas has changed my expectations somewhat, I was not as bowled over as I recalled being by James’ Potent Pleasures or Midnight Pleasures. James’ characters stick very much to socially acceptable behavior—to the point of driving the reader near nuts. Their staunch refusal to run headlong into anything “inappropriate” gave the women the appearance of being weaker, less smart. The same reluctance in the men left me feeling like they were not as strong, not as “alpha”, as I would have liked. All in all, I found myself more annoyed then enamored.
To Love A Man by Karen Robards
This one was lying about the waiting room ‘library’. It was a fast, relatively predictable read. Very 80’s, although I’m not exactly sure when it was published. The connection between hero and heroine was a disconnect for me—not for a minute could I believe that a woman experiencing such trauma—physical and emotional—would just roll over and do the first man she opens her eyes to. I kept reading though, because I was out of my own books. It wasn’t a total loss really; just not a book I would hold onto for more than a few minutes.
For The Roses by Julie Garwood
Another book lying about. This is the only Garwood book I’ve NOT read previously. It was good. I’m glad I had opportunity to read it. I will say however, that nothing—including this title—compares to the Scottish Laird takes English bride stories that made me fall in love with Garwood. If anything, reading For The Roses served to remind me that I’m about due to re-read The Secret again.
Friday, January 06, 2006
Just have to say...
I'm not going to review it, because Jen did such an amazing job, what else is there to say? Nothing could top her review. But, I just finished Midnight Rose by Shelby Reed. I have nothing to say but WOW. What a fabulous book. Oh, and if you haven't read it yet, go get it NOW! Thank you, Jen, for writing such a fabulous review - I might never have picked this book up without it. Your word is evermore gospel. I bow to your 'discerning readership'. Thanks again!
Notable and not so notable reads of the last 3 weeks
I’m going to prattle on for some time here so you may wish to freshen up your coffee...
Notable Reads
Tempting The Beast by Lora Leigh
Well-written. Strong characterization. Provocative. Lora Leigh is an author I trust, unequivocally, to deliver powerful, compelling stories. This one was no exception. However, I have resigned myself to an insurmountable, not to be overcome aversion to even the hint of sex with animals. My mind cannot view any character as part human, part animal without unconsciously—and unavoidably—attaching the greatest emphasis on the animal. That, in turn, colors every exchange between that character and others. I don’t know what the problem is, but if Lora Leigh cannot move me beyond it, I’m not sure any author can (save one perhaps; we’ll see when the time comes). Unfortunately, this means that I will not be reading the remainder of Leigh’s Breed series.
Heather’s Gift by Lora Leigh
Again, Leigh delivers a well-written book featuring strong characterization and a provocative storyline. The third, I believe, in her August men series, its controversial and disturbing premise is at once beyond comprehension and thoroughly captivating. You cannot look away. How can Leigh elicit my understanding, make me believe and even empathize with brothers driven to share their wives? No idea. But she does. And interestingly, the dark sexual needs exhibited by the men in this series remind me a little of Shannon McKenna’s alphas. But McKenna’s books—with their monogamous, ‘acceptable’ relationships—fail me. Completely. And Leigh’s books—this series with its jaw-dropping premise—works for me. Testament, I think, to Leigh’s ability to change the reader’s reality (the whole animal thing aside).
Finders Keepers by Sharon Sala
This is a contemporary love story. No mystery or romantic suspense. It is the stuff of what I call “do-over or second chance daydreams”—the ‘if my circumstances changed and I had to start over, what could happen’ story. I enjoyed it immensely. Being the mother of a toddler boy myself, it is this aspect of the story (our hero is a single father to a 3 year old boy) that I liked most. Sala paints a realistic (read humorous) picture of what it means to parent a fast-growing, ever-learning individual. Her H and H are also quite realistic—both distracted by professional and life responsibilities. The villain—an ‘ex’ so to speak—is a bit over the top and Sala’s stilted or altogether omitted transitions from scene to scene, chapter to chapter bounced me from the story a few times. But overall, it was a warm, engaging read. One I would recommend when you are in need of something soft and easy.
Scarlet Stockings by Mary Wine
I liked everything about this short, holiday novella. Wine focuses the reader’s attention on a single aspect of this married couple’s relationship, allowing us to watch and listen to the characters through a narrow gap in the curtains. That focus translates into successful characterization that is not burdened by any need for detailed background or lengthy descriptions of past experiences. It allows the reader to enjoy the exchanges between these two today. And they are enjoyable. Scarlet Stockings is well written, charming, humorous and truthful—to marriage and married sex in its time period (Frontier West). I will certainly try more titles from Mary Wine.
Not So Notable Reads
Dream On by Jaci Burton
I found this short story very sweet and romantic. Unfortunately, I did not find it well written or executed. I loved the premise and enjoyed what I felt was the “start” of getting to know these characters. Before I could be pulled into the story however, it dropped out from underneath me. Honestly, I felt like I was reading the story’s outline with just a hint of flesh on it—like Burton temporarily inserted sweeping generalizations here and impotent clichés there with some intention of coming back later to develop the thought. It felt underdeveloped from beginning to end.
Christmas To Remember by Annie Windsor
I also found this book sweet and romantic with an entertaining dose of humorous antics. And I appreciated the Christmas fantasy—a very sexy, adult take on the magic of St. Nick. But I could not get beyond the skimpy characterization. I didn’t relate, recognize or even develop a decent impression of any one of this book’s characters. Consequently, their actions lacked believability or truthfulness and I fell out of the story completely.
Special Agent Santa by Denise Agnew
This holiday short featured a seriously over-used premise in erotic romance—one I happen to like when done well. It features an alpha in law enforcement and a woman he is acquainted with through work. There is the requisite attraction—the one that has been growing between these two since before the book’s introduction—and the very brief turmoil each suffers before finally revealing their passion for the other. It also includes the “I’ve been watching you and I can “see” –through some preternatural sense—your desire for sexual domination” phenomenon. That sarcasm, I’m sure, betrays my feelings about this particular approach to tie-me-up sex in a romance book. I don’t believe it and don’t care for it. And, having read some truly remarkable stories—both long and short—in this genre, I don’t believe for a minute that this is the only workable premise for hot, 18 and over sex.
A side note about this particular title: I read a professional review of Special Agent Santa wherein the reviewer stated her appreciation for the story’s twist. I actually re-read this story to find the twist or unexpected turn of events. Didn’t find it. I then polled another reader. She didn’t recall a twist either. I emailed the reviewer about it directly. She never responded. Left to draw my own conclusions, I can only assume she did not read it. Or, if she did, she did so quickly and in the company of a dozen other holiday shorts—ultimately confusing elements from another with this one. In either case, it appears a gross disservice to the author and publisher. And is worthy of a disdainful rant in another blog.
Holiday Bound by Jaci Burton
This holiday short from Jaci Burton also travels the one-step path to tie-me-up sex between the lawman and his colleague. However, Burton employs a much more believable venue by which the characters learn of each other’s sexual fantasies. It was good in that sense. But again, where I found stronger characterization in this Burton short, I was still plagued by a lack of development. Burton maneuvers around a very thought-provoking, socially relevant issue without doing it any disservice. But I just wanted more in the way story depth.
Relevant Footnote
I think it a remarkable challenge to create a fully developed romance in a novella or quickie (unsure of the proper terminology here). Thus far, the only authors to deliver notable reads in this category have been those that invite readers into an existing romance. Unburdened by the task of establishing a relationship, these authors simply and honestly confirmed the characters’ connections and then deftly involved me as the reader in the emotional conflict at hand. Sarah McCarty did this beautifully in A Bit of Sass. Mary Wine accomplished a similar feat in Scarlet Stocking. And, although not a holiday short, Claire Thompson did the same—through one of the cleverest turn of events I’ve seen—in Closely Held Secrets.
Having read all of McCarty’s work and a good number of Thompson’s titles, I’ll also surmise that very, very strong writing skills are another requisite to pulling this off. Both are extremely powerful writers. And though I’ve not yet read the holiday short from Shelby Reed—another astonishingly talented writer—I’m confident it will deliver as well.
In all, I would like to think that those shorts that failed would not have done so if delivered in full length. I’ll likely try some longer tales from those authors just to see.
Super Relevant Footnote
I am not an author of fiction. I will allow myself the title of discerning reader however. Whatever. Just digest my commentary with that in mind.
Notable Reads
Tempting The Beast by Lora Leigh
Well-written. Strong characterization. Provocative. Lora Leigh is an author I trust, unequivocally, to deliver powerful, compelling stories. This one was no exception. However, I have resigned myself to an insurmountable, not to be overcome aversion to even the hint of sex with animals. My mind cannot view any character as part human, part animal without unconsciously—and unavoidably—attaching the greatest emphasis on the animal. That, in turn, colors every exchange between that character and others. I don’t know what the problem is, but if Lora Leigh cannot move me beyond it, I’m not sure any author can (save one perhaps; we’ll see when the time comes). Unfortunately, this means that I will not be reading the remainder of Leigh’s Breed series.
Heather’s Gift by Lora Leigh
Again, Leigh delivers a well-written book featuring strong characterization and a provocative storyline. The third, I believe, in her August men series, its controversial and disturbing premise is at once beyond comprehension and thoroughly captivating. You cannot look away. How can Leigh elicit my understanding, make me believe and even empathize with brothers driven to share their wives? No idea. But she does. And interestingly, the dark sexual needs exhibited by the men in this series remind me a little of Shannon McKenna’s alphas. But McKenna’s books—with their monogamous, ‘acceptable’ relationships—fail me. Completely. And Leigh’s books—this series with its jaw-dropping premise—works for me. Testament, I think, to Leigh’s ability to change the reader’s reality (the whole animal thing aside).
Finders Keepers by Sharon Sala
This is a contemporary love story. No mystery or romantic suspense. It is the stuff of what I call “do-over or second chance daydreams”—the ‘if my circumstances changed and I had to start over, what could happen’ story. I enjoyed it immensely. Being the mother of a toddler boy myself, it is this aspect of the story (our hero is a single father to a 3 year old boy) that I liked most. Sala paints a realistic (read humorous) picture of what it means to parent a fast-growing, ever-learning individual. Her H and H are also quite realistic—both distracted by professional and life responsibilities. The villain—an ‘ex’ so to speak—is a bit over the top and Sala’s stilted or altogether omitted transitions from scene to scene, chapter to chapter bounced me from the story a few times. But overall, it was a warm, engaging read. One I would recommend when you are in need of something soft and easy.
Scarlet Stockings by Mary Wine
I liked everything about this short, holiday novella. Wine focuses the reader’s attention on a single aspect of this married couple’s relationship, allowing us to watch and listen to the characters through a narrow gap in the curtains. That focus translates into successful characterization that is not burdened by any need for detailed background or lengthy descriptions of past experiences. It allows the reader to enjoy the exchanges between these two today. And they are enjoyable. Scarlet Stockings is well written, charming, humorous and truthful—to marriage and married sex in its time period (Frontier West). I will certainly try more titles from Mary Wine.
Not So Notable Reads
Dream On by Jaci Burton
I found this short story very sweet and romantic. Unfortunately, I did not find it well written or executed. I loved the premise and enjoyed what I felt was the “start” of getting to know these characters. Before I could be pulled into the story however, it dropped out from underneath me. Honestly, I felt like I was reading the story’s outline with just a hint of flesh on it—like Burton temporarily inserted sweeping generalizations here and impotent clichés there with some intention of coming back later to develop the thought. It felt underdeveloped from beginning to end.
Christmas To Remember by Annie Windsor
I also found this book sweet and romantic with an entertaining dose of humorous antics. And I appreciated the Christmas fantasy—a very sexy, adult take on the magic of St. Nick. But I could not get beyond the skimpy characterization. I didn’t relate, recognize or even develop a decent impression of any one of this book’s characters. Consequently, their actions lacked believability or truthfulness and I fell out of the story completely.
Special Agent Santa by Denise Agnew
This holiday short featured a seriously over-used premise in erotic romance—one I happen to like when done well. It features an alpha in law enforcement and a woman he is acquainted with through work. There is the requisite attraction—the one that has been growing between these two since before the book’s introduction—and the very brief turmoil each suffers before finally revealing their passion for the other. It also includes the “I’ve been watching you and I can “see” –through some preternatural sense—your desire for sexual domination” phenomenon. That sarcasm, I’m sure, betrays my feelings about this particular approach to tie-me-up sex in a romance book. I don’t believe it and don’t care for it. And, having read some truly remarkable stories—both long and short—in this genre, I don’t believe for a minute that this is the only workable premise for hot, 18 and over sex.
A side note about this particular title: I read a professional review of Special Agent Santa wherein the reviewer stated her appreciation for the story’s twist. I actually re-read this story to find the twist or unexpected turn of events. Didn’t find it. I then polled another reader. She didn’t recall a twist either. I emailed the reviewer about it directly. She never responded. Left to draw my own conclusions, I can only assume she did not read it. Or, if she did, she did so quickly and in the company of a dozen other holiday shorts—ultimately confusing elements from another with this one. In either case, it appears a gross disservice to the author and publisher. And is worthy of a disdainful rant in another blog.
Holiday Bound by Jaci Burton
This holiday short from Jaci Burton also travels the one-step path to tie-me-up sex between the lawman and his colleague. However, Burton employs a much more believable venue by which the characters learn of each other’s sexual fantasies. It was good in that sense. But again, where I found stronger characterization in this Burton short, I was still plagued by a lack of development. Burton maneuvers around a very thought-provoking, socially relevant issue without doing it any disservice. But I just wanted more in the way story depth.
Relevant Footnote
I think it a remarkable challenge to create a fully developed romance in a novella or quickie (unsure of the proper terminology here). Thus far, the only authors to deliver notable reads in this category have been those that invite readers into an existing romance. Unburdened by the task of establishing a relationship, these authors simply and honestly confirmed the characters’ connections and then deftly involved me as the reader in the emotional conflict at hand. Sarah McCarty did this beautifully in A Bit of Sass. Mary Wine accomplished a similar feat in Scarlet Stocking. And, although not a holiday short, Claire Thompson did the same—through one of the cleverest turn of events I’ve seen—in Closely Held Secrets.
Having read all of McCarty’s work and a good number of Thompson’s titles, I’ll also surmise that very, very strong writing skills are another requisite to pulling this off. Both are extremely powerful writers. And though I’ve not yet read the holiday short from Shelby Reed—another astonishingly talented writer—I’m confident it will deliver as well.
In all, I would like to think that those shorts that failed would not have done so if delivered in full length. I’ll likely try some longer tales from those authors just to see.
Super Relevant Footnote
I am not an author of fiction. I will allow myself the title of discerning reader however. Whatever. Just digest my commentary with that in mind.
Wednesday, January 04, 2006
The Seduction by Nicole Jordan
Help, I'm in a historical rereading frenzy and I can't get out! They are just so darn good. But after this book, I am onto Midnight Rose, thanks to Jen's amazing review... and I'm not even that big a vamp fan! Ok... onward.
The Seduction is the first in a long line of books in the Notorious series. This is the story of Damien Sinclair, "Lord Sin". His sister, Olivia, has a terrible accident at the hands of Vanessa's brother. Vanessa winds up acting as Olivia's companion, and, in his own act of revenge/justice, Damien's mistress. The story really delves into the immediate friendship that Damien and Vanessa share, the respect unwittingly built between them, and their attempts to deny the feelings they have by sabotaging the relationship, each in their own way.
Once again, there is lots of seedy sex in the brothels of London (those boys from the Hellfire League are wicked!), and very little in the way of ballrooms, sans one country ball, although both characters are members of the aristocracy. Nicole Jordan does a great job in her characterization of Damien, especially, showing well his bewilderment and his unnerving (is that a word?) with the changes he feels taking place within himself. Vanessa is a woman trying to save her sisters from the same type of loveless marriage she was forced into. She agrees to Damien's terms and is astounded at the feelings he arouses in her (no pun intended... or was it?). She expects to hate him and finds herself drawn to him through long sincere talks held late at night in her bedchamber. For a better summary, read Nicole Jordan's synopsis. (And make sure to scroll down the Seduction webpage and read her excerpts, too! Especially wonderful! I love her web site!)
I really like that before this couple has sex, they have become friends, and developed a mutual respect for each other. The fact that they then have hot, wild, beautiful, monkey sex is made all the better because of their intense feelings for one another, although they would each deny it to the death (the little death, that is...). If it were only that easy, a million authors would be out of work and books would only be 50 pages long. So of course, neither is happy with the turn of affairs (so to speak) and they each sabotage the relationship, something it appears Damien is an expert at. How he comes around to being comfortable with his reformation (aren't reformed rakes the best? everyone says so...) is really the crux of Damien's story, and coming to terms with wanting a not-so-perfect man is Vanessa's story. There is also a really well written back story about Olivia coming to terms with the results of her accident and how she and her true love find their way back together again.
I have read all the books in this series (several times) and not been disappointed by a single one. Highly recommended.
The Seduction is the first in a long line of books in the Notorious series. This is the story of Damien Sinclair, "Lord Sin". His sister, Olivia, has a terrible accident at the hands of Vanessa's brother. Vanessa winds up acting as Olivia's companion, and, in his own act of revenge/justice, Damien's mistress. The story really delves into the immediate friendship that Damien and Vanessa share, the respect unwittingly built between them, and their attempts to deny the feelings they have by sabotaging the relationship, each in their own way.
Once again, there is lots of seedy sex in the brothels of London (those boys from the Hellfire League are wicked!), and very little in the way of ballrooms, sans one country ball, although both characters are members of the aristocracy. Nicole Jordan does a great job in her characterization of Damien, especially, showing well his bewilderment and his unnerving (is that a word?) with the changes he feels taking place within himself. Vanessa is a woman trying to save her sisters from the same type of loveless marriage she was forced into. She agrees to Damien's terms and is astounded at the feelings he arouses in her (no pun intended... or was it?). She expects to hate him and finds herself drawn to him through long sincere talks held late at night in her bedchamber. For a better summary, read Nicole Jordan's synopsis. (And make sure to scroll down the Seduction webpage and read her excerpts, too! Especially wonderful! I love her web site!)
I really like that before this couple has sex, they have become friends, and developed a mutual respect for each other. The fact that they then have hot, wild, beautiful, monkey sex is made all the better because of their intense feelings for one another, although they would each deny it to the death (the little death, that is...). If it were only that easy, a million authors would be out of work and books would only be 50 pages long. So of course, neither is happy with the turn of affairs (so to speak) and they each sabotage the relationship, something it appears Damien is an expert at. How he comes around to being comfortable with his reformation (aren't reformed rakes the best? everyone says so...) is really the crux of Damien's story, and coming to terms with wanting a not-so-perfect man is Vanessa's story. There is also a really well written back story about Olivia coming to terms with the results of her accident and how she and her true love find their way back together again.
I have read all the books in this series (several times) and not been disappointed by a single one. Highly recommended.
Monday, January 02, 2006
The Highland Lords Series by Karen Ranney
Well, Nicole insisted I read this series, as it is one of her all-time favorites. Scottish historicals have never been on my all-time favorites or even close. Not sure why, but there it is. Well, Nicole, I thank you. This was a wonderful series. Now, I'm not terribly eloquent, so here's just a quick synopsis of each one of the books about the MacRae's...
Book 1: One Man's Love - This is the story of Alec and Leitis. They are childhood friends in Scotland and meet again when Alec returns as a British soldier to fight the Scottish. Beautifully written, and beautiful characters. You really feel for Alec and his torn loyalties (being half Scottish and half English). This one got me hooked into the series. The rest of the books are all about their 5 sons. Read the synopsis here.
Book 2: When the Laird Returns - this one focuses on Alisdair, the oldest son of Alec and Leitis. It deals with old clan rivalries and power struggles. Read the synopsis here.
Book 3: The Irrisistable MacRae - this is James' story. The storytelling here is remarkable. I loved watching James and Riona fall in love - every feeling was so well written that I felt like I was falling in love right along with them. Read the synopsis.
Book 4: To Love a Scottish Lord - this is a majorly powerful story about Hamish, the middle son. This is a passionate and compassionate book about learning to accept and heal. The fourth son, Brendan, also falls in love in this one, though his story is the secondary one. Read the synopsis.
Book 5: So in Love - this is the youngest son, Douglas' story. Like his father's story, this is about finding lost loves and forgiveness. It brings the entire series full circle, both in that theme, and including scenes with the entire family - all the brothers and their wives and children. Read the synopsis.
I would have to say that the 4th book was my favorite. Hamish's story is so powerful, and written so beautifully that you can feel his anguish and agony in every page. Mary is the perfect match for him. I love how Ranney brings all the characters back in each book with an update on how they are doing. It wouldn't make sense for the brothers not to appear in each other's books, since the family is so close. It's good to see old faces from the previous books (with the exception of the last book - I was a tad disappointed in one of the outcomes - won't say which as I don't want to spoil it). You truly get the feeling over the course of the 5 books that this is a family that loves one another and would do anything for each other. Ranney's description of the family's ancestral home (especially in book 1) makes you see it clearly, and her characterizations of the brothers remain consistent and complete throughout all the books. And the villain that reappears completely unexpectedly in book 5 caught me by surprise. But it made perfect sense.
Although not a sub-genre of historical that I would pick up on my own, I'm so glad that this series was recommended to me. Thanks Nicole!
Book 1: One Man's Love - This is the story of Alec and Leitis. They are childhood friends in Scotland and meet again when Alec returns as a British soldier to fight the Scottish. Beautifully written, and beautiful characters. You really feel for Alec and his torn loyalties (being half Scottish and half English). This one got me hooked into the series. The rest of the books are all about their 5 sons. Read the synopsis here.
Book 2: When the Laird Returns - this one focuses on Alisdair, the oldest son of Alec and Leitis. It deals with old clan rivalries and power struggles. Read the synopsis here.
Book 3: The Irrisistable MacRae - this is James' story. The storytelling here is remarkable. I loved watching James and Riona fall in love - every feeling was so well written that I felt like I was falling in love right along with them. Read the synopsis.
Book 4: To Love a Scottish Lord - this is a majorly powerful story about Hamish, the middle son. This is a passionate and compassionate book about learning to accept and heal. The fourth son, Brendan, also falls in love in this one, though his story is the secondary one. Read the synopsis.
Book 5: So in Love - this is the youngest son, Douglas' story. Like his father's story, this is about finding lost loves and forgiveness. It brings the entire series full circle, both in that theme, and including scenes with the entire family - all the brothers and their wives and children. Read the synopsis.
I would have to say that the 4th book was my favorite. Hamish's story is so powerful, and written so beautifully that you can feel his anguish and agony in every page. Mary is the perfect match for him. I love how Ranney brings all the characters back in each book with an update on how they are doing. It wouldn't make sense for the brothers not to appear in each other's books, since the family is so close. It's good to see old faces from the previous books (with the exception of the last book - I was a tad disappointed in one of the outcomes - won't say which as I don't want to spoil it). You truly get the feeling over the course of the 5 books that this is a family that loves one another and would do anything for each other. Ranney's description of the family's ancestral home (especially in book 1) makes you see it clearly, and her characterizations of the brothers remain consistent and complete throughout all the books. And the villain that reappears completely unexpectedly in book 5 caught me by surprise. But it made perfect sense.
Although not a sub-genre of historical that I would pick up on my own, I'm so glad that this series was recommended to me. Thanks Nicole!
Friday, December 30, 2005
Midnight Rose by Shelby Reed
This post is the most difficult I’ve written for our blog to date. It’s damned hard to pen the right words when a book leaves you, quite literally, speechless.
That is how Shelby Reed’s Midnight Rose left me. Speechless. Breathless. Spellbound.
Reed’s prose is breathtaking. From the first paragraph, I was caught up in her vivid description; lured deftly into the book’s setting. It is a setting with a life and character all its own and, through Reed’s words, I felt its breath at the back of my neck.
Within pages, Reed not only introduced Kate as our heroine, she made her a woman I’d known all my life. That spark of recognition was the first indicator of Reed’s remarkable characterization.
The next came moments later, when Kate spies Gideon, our hero, from afar. And he catches her watching him. No words are exchanged. Separated by dozens of feet and darkness, not even a true look is exchanged between them. Yet my breath caught. And I held it in anticipation.
I exhaled on the next to the last page of the book.
Not since Roarke began carrying Eve’s lost button as a token of their inexplicable and undeniable connection in Robb’s Naked in Death, has a fictional hero so utterly captivated and mesmerized me. Reed’s Gideon is my “other” Roarke. Through Reed’s skillful characterization, I was enthralled by Gideon’s grace and quiet intelligence. Entranced by his inner darkness. Seduced by his physical and spiritual presence. And when Reed revealed his heart, mine ached.
Kate’s emotional and spiritual strength are palpable—long before either are overtly challenged. Her own intelligence and humor are, as I said, instantly recognizable and served to draw me to her with the same intensity I found in Gideon’s character. As the character most in the dark, Kate is a natural ally for readers. Sharing and believing her perception is critical in the success of this book. Reed garnered that acceptance, my acquiescence, before page ten.
Jude, Gideon’s 13-year-old son, is another beautifully drawn character—true to his age and limitations. Reed’s use of him to epitomize Gideon’s spiritual struggle is exquisite; so subtle it is nearly missed. How she managed to develop Jude’s character without betraying this story’s truth (to himself, Kate and the reader) too early left me shaking my head in wonder. That she was able to elicit unconditional love for this boy, even in the face of unspeakable evil, is extraordinary.
A cast of supporting characters, professions and daily routines serve to enrich the character development of Gideon, Jude and Kate. It all blends seamlessly as Reed ensnares the reader in the same delusion of normalcy lived by each character. In fact, Reed weights every facet in the telling of this story so skillfully, so beautifully that I was drawn forward, toward the truth, steadily, carefully, with an apprehension cast so delicately as to render it almost deniable.
Reed’s writing and remarkable characterization brought this book to life for me. It evoked feeling, tears, laughter and real fear. The love between Kate and Gideon is epic; heart stopping. And Reed tosses the reader about on the same swells of joy, passion and confusion that these two experience. It is an exhausting read, but one that leaves you with an emotional afterglow; changed.
Once captured, I wanted to read Midnight Rose to the exclusion of all else. I didn’t want to sleep, eat, work or play. I longed only to immerse myself in this story; and I never wanted it to end. Yet, Midnight Rose was not a book I could read in one sitting. It is so beautifully written, Reed’s depth of characterization so subtly delivered, her seduction so deeply emotional that I slowed to savor every word, every moment.
My thanks to Ms. Reed for an evocative read. While I’ve tried my best here, I fear even these words do not adequately express how deeply I appreciate a book that touches me on so many levels. I look forward to reading your other work with great anticipation.
In another important and final note of thanks, I must acknowledge Anne for this recommendation. Anne has been at me to read Shelby Reed for some time. Again, words cannot express how happy I am that I did. Discovery of a new (to me) author that moves me like this one did is—as all readers know—a gift to be relished. Thank you again Anne.
The Devil You Know by Liz Carlyle
I loved this book. Simple. Straightforward. At least my feelings are simple and straightforward. The book itself offers more complexity than most regency romances and one of the deeper—ruthlessly honest and brutal—emotional conflicts than I’ve found in any genre.
It was a slow start for me however because I was feeling noncommittal when I started it. Then, I found myself less than certain about the hero until Carlyle carefully revealed him as a man worthy of her heroine. Once engaged, I nearly put the book down in fear that the H and H would be unreasonably, stupidly separated until much later in the story. I’m relieved to report that that particular peeve never materialized. Our hero claims his bride in short order and the remaining, better part of the book is devoted to tying its reader’s emotions in knots (I mean tying the H and H into emotional knots) until the explosive, coming undone scenes that wrap up the HEA.
The mystery and suspense all stem from the emotional conflict and Carlyle does not litter it with distractions. The characters propel the telling of this story; and Carlyle gives us (many) characters that are complex in nature—riddled with imperfections and utterly charming.
I’ve added her to my hurry-up-and-read-her-backlist list—which should put me flush with her new releases along about 2008 (given my similar commitment to read every Kleypas and Laurens book; and to try Julia Quinn).
Blurb follows:
Frederica d'Avillez is sure she will never marry. She's had a disastrous London season, and now her longtime beau has thrown her over for a more eligible miss. But if Freddie can't have a husband, she's hell-bent on experiencing at least one night of unforgettable passion. Where better than in the arms of the dashing rogue Bentley "Hell-Bent" Rutledge? So what if he's a rake, scoundrel, and all-round devil?
Scandal trails in Bentley's wake and fair maidens usually steer well clear of him -- and vice versa. But when the opportunity presents itself, Bentley can't resist Freddie's exotic beauty. When their wild, reckless passion has dire consequences, Bentley is forced to choose between honor and freedom. And Freddie soon realizes that Bentley's devil-may-care façade is just that -- for she has unwittingly unleashed his dark secrets...and secret desires.
It was a slow start for me however because I was feeling noncommittal when I started it. Then, I found myself less than certain about the hero until Carlyle carefully revealed him as a man worthy of her heroine. Once engaged, I nearly put the book down in fear that the H and H would be unreasonably, stupidly separated until much later in the story. I’m relieved to report that that particular peeve never materialized. Our hero claims his bride in short order and the remaining, better part of the book is devoted to tying its reader’s emotions in knots (I mean tying the H and H into emotional knots) until the explosive, coming undone scenes that wrap up the HEA.
The mystery and suspense all stem from the emotional conflict and Carlyle does not litter it with distractions. The characters propel the telling of this story; and Carlyle gives us (many) characters that are complex in nature—riddled with imperfections and utterly charming.
I’ve added her to my hurry-up-and-read-her-backlist list—which should put me flush with her new releases along about 2008 (given my similar commitment to read every Kleypas and Laurens book; and to try Julia Quinn).
Blurb follows:
Frederica d'Avillez is sure she will never marry. She's had a disastrous London season, and now her longtime beau has thrown her over for a more eligible miss. But if Freddie can't have a husband, she's hell-bent on experiencing at least one night of unforgettable passion. Where better than in the arms of the dashing rogue Bentley "Hell-Bent" Rutledge? So what if he's a rake, scoundrel, and all-round devil?
Scandal trails in Bentley's wake and fair maidens usually steer well clear of him -- and vice versa. But when the opportunity presents itself, Bentley can't resist Freddie's exotic beauty. When their wild, reckless passion has dire consequences, Bentley is forced to choose between honor and freedom. And Freddie soon realizes that Bentley's devil-may-care façade is just that -- for she has unwittingly unleashed his dark secrets...and secret desires.
Thursday, December 29, 2005
Our Endangered Values by Jimmy Carter
Now I know that we all tacitly agreed to post on romance novels, but this book was too fascinating not to mention. Jimmy Carter has to be one of the most amazing, underappreciated, underrated men our country has been privileged to have as a public servant. Yes, his presidency was plagued with the energy/gas crisis, the Iran Hostage crisis, etc, but in the years since his presidency, he has earned himself an even bigger, brighter place in not just American history, but world history.
This current book focuses on history and, to a large extent, on the current administration's subservience to the fundamentalist conservative right. Although parts of the book are a scathing criticism of the current administration, he backs up his positions with biblical scripture and historical events and perspectives. He is, by his own admission, a devout evangelical "born again" Christian. Yet he passionately defends the separation of church and state and defended the Supreme Court decision of Roe v. Wade, although it went against his own personal beliefs.
He devotes chapters in this book to civil rights, homosexuality, the death penalty, abortion, science and religion, divorce, women's rights, and environmental issues including drilling for oil in Alaska, preserving America's national parks and global warming, and the US policies on decreasing emissions in relation to the rest of the industrialized world. There are chapters on our global image, the growing gap between rich and poor both in the US and globally, North Korea, Cuba, nuclear proliferation/disarmament, humane treatment of POWs, government-sanctioned torture, and war (globally and specifically in Iraq).
This is not a "democrat" vs "republican" issue, he is quick to point out, and the book backs up this assertion. Instead, he concentrates on the increasingly strong influence of religion into politics, which, he contends, should be separate. He puts every chapter into perspective relative to his own strong religious convictions and beliefs. He contends that religion has its place in politics in the same way that it has its place in everyday life - by guiding our hand toward being valuable, moral and compassionate human beings - not by guiding public policy and law.
As a Jew, I found this a fascinating read, given his self-admitted evangelical bent. Although we have different religious beliefs, it is clear to me that he respects every human being's right to believe passionately in their own religion, but not at the expense of others. As an American, I found it equally as fascinating, although a bit demoralizing to read about some of the positions taken by our country's leadership (and by default, the country's citizenry), and as a human being, I am equally captivated and appalled by the lack of far-sightedness he portrays by current and past leadership of our country, and its lasting ramifications.
A fascinating read, and I recommend it highly, along with any of his other twenty-odd books, including his poetry.
This current book focuses on history and, to a large extent, on the current administration's subservience to the fundamentalist conservative right. Although parts of the book are a scathing criticism of the current administration, he backs up his positions with biblical scripture and historical events and perspectives. He is, by his own admission, a devout evangelical "born again" Christian. Yet he passionately defends the separation of church and state and defended the Supreme Court decision of Roe v. Wade, although it went against his own personal beliefs.
He devotes chapters in this book to civil rights, homosexuality, the death penalty, abortion, science and religion, divorce, women's rights, and environmental issues including drilling for oil in Alaska, preserving America's national parks and global warming, and the US policies on decreasing emissions in relation to the rest of the industrialized world. There are chapters on our global image, the growing gap between rich and poor both in the US and globally, North Korea, Cuba, nuclear proliferation/disarmament, humane treatment of POWs, government-sanctioned torture, and war (globally and specifically in Iraq).
This is not a "democrat" vs "republican" issue, he is quick to point out, and the book backs up this assertion. Instead, he concentrates on the increasingly strong influence of religion into politics, which, he contends, should be separate. He puts every chapter into perspective relative to his own strong religious convictions and beliefs. He contends that religion has its place in politics in the same way that it has its place in everyday life - by guiding our hand toward being valuable, moral and compassionate human beings - not by guiding public policy and law.
As a Jew, I found this a fascinating read, given his self-admitted evangelical bent. Although we have different religious beliefs, it is clear to me that he respects every human being's right to believe passionately in their own religion, but not at the expense of others. As an American, I found it equally as fascinating, although a bit demoralizing to read about some of the positions taken by our country's leadership (and by default, the country's citizenry), and as a human being, I am equally captivated and appalled by the lack of far-sightedness he portrays by current and past leadership of our country, and its lasting ramifications.
A fascinating read, and I recommend it highly, along with any of his other twenty-odd books, including his poetry.
Saturday, December 24, 2005
My Lord Beast by Mary Lennox
I'm always going to pick up a romance with the Beauty and the Beast theme so this was a no-brainer for me. When I was a child it was my favorite fairy tale and from Jane Eyre on, I continue to enjoy variations on that theme.
Aubrey Drelincourte, Earl of Breme, has been accused of killing his first wife while they were in India. Before being found with the incriminating gun, he was mauled by a tiger which has left him disfigured. His cousin, the wicked heir, is trying to get him convicted of the murder so he can take over Breme. So brilliant Aubrey decides he must wed quickly and get an heir started to outfox wicked cousin Rupert. That part seemed a little weird, but the rest of the story was gripping and emotionally satisfying.
Lillias Merritt is trying very hard to stay out of the lecherous clutches of a local farmer when she runs to Breme for help. She helps nurse him back to health and they develop a love/hate relationship. She's spunky, bright and musically talented and doesn't think she's at all attractive. She's convinced Aubrey is innocent and will do anything to help him prove it, including getting herself into jeopardy.
I got this at the library on Friday afternoon and finished it Saturday morning. I really enjoyed the on again/off again relationship between Aubrey and Lillias and the story did have some odd twists in the journey which kept me reading.
Loved the secondary characters - they are well drawn and sympathetic, especially Ram Dass and Caroline. She's currently working on their story but since MLB was just published in May, 2005, it may be a while before it comes out. I'm looking forward to it; I really like Mary Lennox's storytelling style.
Thursday, December 22, 2005
A Bit of Sass by Sarah McCarty
A Bit of Sass was flawless.
Every character came to life for me in this well-crafted, tightly written story. McCarty’s heroine is at once self-conscious and empowered; hopeful and devastated; relaxed and poised to fight. In short, Sass is a parent. Never being able to put fully into words what my own role as mother means, I was captivated by McCarty’s wrenchingly honest portrayal. In the span of a few pages, I could be found nodding vigorously, laughing out loud and suspended in heartache.
Jacob is equally authentic. His circumstances and life experiences are believable and his expectations for himself astonishingly poignant. Watching McCarty expose the depth of his emotions, first through humor then anguish, is a treat for every woman who thinks there are no good ones left.
CJ and Corrine, Sass’ children, are every bit as much a part of McCarty’s emotional tale as the romantic couple. They are individuals; painted with a singularity, humor and complete absence of humility that define what it is to be childlike. Another nod to the steady, unrelenting hand McCarty uses to draw her characters. Every parent—mother and father—will recognize these children. And love them.
Sarah McCarty is an auto-buy author for me for three reasons: characterization, voice and writing skill. A Bit of Sass delivers flawlessly on all three. It is so well written, I barely noticed the words on the page. They were merely the vehicle by which I was transported into the world of Jacob and Sass.
McCarty’s voice—her wit, appreciation for life and emotional honesty—rings genuinely from beginning to end. In fact, she imparts so much of herself in Sass that I wondered how much of A Bit of Sass could be autobiographical.
Finally, her characterization in A Bit of Sass is unmatched. Readers will not find this depth of characterization in any other novella, particularly in this genre. Bucking every trend and expectation, McCarty drops readers into the middle of Sass and Jacob’s relationship. By doing so, she overcomes the issues of believability, trust and acceptance so common in this format.
Sarah McCarty stands 10 stories higher than her nearest peer. Her work—and A Bit of Sass is no exception—is beautifully written, superbly edited and utterly captivating.
Wednesday, December 21, 2005
The Pregnancy Test by Erin McCarthy
I love Erin's books. She has the devil of a sense of humor. The heroine of this book is British, and she is hilarious in that oh-so-British forthright, upstanding way. She finds herself pregnant by a guy she feels so-so about, then dumped unceremoniously by said guy.
Her roommate gets her a job interview (she needs health insurance), where she promptly pukes all over her potential new boss. I remember those morning sickness days *g*. Miraculously she gets the job anyway. On a "business trip" *wink wink* to the Carribean, they get together. Damien's reaction to finding out Mandy is pregnant is priceless. I wanted to smack him right along with her. It was written so perfectly!
Erin McCarthy does a great job as always of mixing up the humor into situations that wouldn't necessarily call for it ("oh my god, did I blow air into your vagina during oral sex? You could die!" - Damien is obsessed with this one LOL). Great story, great plot, loads of sex, loads of fun, and a beautiful, sensitive hero hiding behind a world of hurt and bravado. What more could I ask for?
Her roommate gets her a job interview (she needs health insurance), where she promptly pukes all over her potential new boss. I remember those morning sickness days *g*. Miraculously she gets the job anyway. On a "business trip" *wink wink* to the Carribean, they get together. Damien's reaction to finding out Mandy is pregnant is priceless. I wanted to smack him right along with her. It was written so perfectly!
Erin McCarthy does a great job as always of mixing up the humor into situations that wouldn't necessarily call for it ("oh my god, did I blow air into your vagina during oral sex? You could die!" - Damien is obsessed with this one LOL). Great story, great plot, loads of sex, loads of fun, and a beautiful, sensitive hero hiding behind a world of hurt and bravado. What more could I ask for?
A Bit of Sass by Sarah McCarty
Sarah has done it again. She has created a story with a yummy sensitive alpha, a heroine that so many women can relate to, and supporting characters that one is sure to love (in this case, Sass' children). Even though this is a short story, the depth that is portrayed in both the story and the characters, Sass especially, are pure Sarah.
The story begins in the middle of Sass and Jacob's relationship, which I loved. During the "should we or shouldn't we" talk about taking the relationship to the next level, Jacob unthinkingly says something that makes Sass believe it wasn't meant to be. How they find their way back to each other and their individual journeys through their own issues make this a warm spirited, thoughtful look at the trials and tribulations of being a single mother, loving a single mother, and fitting a relationship into all that. The scene of the aftermath when Jacob takes care of Sass' kids for an entire day is a laugh riot, too- one that we can all relate to. Not to mention, that Jacob is hot, and the sex even hotter!
Sarah's books are an auto buy for me, and she doesn't disappoint with this one.
The story begins in the middle of Sass and Jacob's relationship, which I loved. During the "should we or shouldn't we" talk about taking the relationship to the next level, Jacob unthinkingly says something that makes Sass believe it wasn't meant to be. How they find their way back to each other and their individual journeys through their own issues make this a warm spirited, thoughtful look at the trials and tribulations of being a single mother, loving a single mother, and fitting a relationship into all that. The scene of the aftermath when Jacob takes care of Sass' kids for an entire day is a laugh riot, too- one that we can all relate to. Not to mention, that Jacob is hot, and the sex even hotter!
Sarah's books are an auto buy for me, and she doesn't disappoint with this one.
Tuesday, December 20, 2005
Jessamyn's Christmas Gift by NJ Walters
Long time no postings from me. So first let me apologize. Sorry I hope to do better in the new year.
Anyone who knows me knows I love all of NJ's books. I can't help it. Beside being a wonderful person she really is a wonderful author. In touch with what her readers want and in this Christmas Quickie she delivers.
Jessamyn is like many women these days, she a solid size 16, but she is beautiful, powerful and embracing her life and sexuality with self confidence.
Caleb is the strong and every vigilant next door neighbor. The fact that he is a police officer, well let's be honest that makes him all the more yummy.
At Christmas the year before Jessamyn wanted to surprise her then boyfriend Bennett with a Christmas gift he'd never forget. Her wrapped up in a little red teddy. Too bad the man who enters the house isn't Bennett. Fleeing after her initial shock she moves on, past Bennett and the memory of Caleb's potent stare.
It's been a year and Caleb has the same wish for Christmas as last year. Jessamyn. We watch as Caleb convinces a reluctant Jessamyn that he is all the man she needs.
Steamy sex and a story of love for Christmas is what you get with this Christmas Quickie. Jessamyn and Caleb are the perfect couple, and when they do finally get together watch the sparks fly.
NJ succeeds again at reaching her readers, penning a story with a heroine everyone can relate to. If you haven't you should add this to your most wanted list, you won't be sorry.
Wednesday, December 14, 2005
More Kleypas Titles
Worth Any Price: I liked every unexpected aspect of this story. A hero who flinches at physical contact. A heroine of both physical and emotional strength. A sexy, dangerous career as a Bow Street Runner that ends abruptly and involuntarily. An antagonistic relationship between this hero and another beloved hero from Kleypas' earlier work. And an emotionally honest telling of child molestation.
Every turn, every development defies the formula I expect in a historical romance. And I loved it. Kleypas delivers outstanding characterization and involves the reader emotionally from the start. In a word--a keeper. In fact, a DIK. Blurb.
Secrets of a Summer Night: My second best favorite from Kleypas. In this one, Kleypas gives readers the formulaic vulnerable heroine and a dashing hero to come to her rescue. Circumstances and character however stretch beyond reader expectations and, for me, put Kleypas in a class by herself.
Most memorable in this book is the laugh-out-loud exchanges between four women enjoying a friendship very real and rarely seen in historical romance. I would also say that the heroine carries the book. It is largely her story and the hero occupies the background space a good deal of the time. Of the hero, I liked his patience and genuine--altruistic--kindness. I never saw him as self-serving and his tender endearments were utterly natural (not ill-fitting, corny or presumptuous). This is another that I will re-read. Blurb.
Suddenly You: When Lori commented on Kleypas' tendency to feature characters and storylines outside historical London's ballrooms, I was intrigued. Suddenly You is a good example of this and I enjoyed it immensely. This heroine is an accomplished author and her hero a successful publisher. And instead of falling into marriage, they fall into bed and enjoy a full-out affair. The HEA ultimately dictates marriage, true; but the journey was engaging and entirely outside the bounds of propriety. An engaging read for me with but one complaint. I found the heroine's weight issues an annoying distraction. Not because Kleypas fails in any measure of characterization; but rather because I don't wish to identify with the heroine that much. Blurb.
Every turn, every development defies the formula I expect in a historical romance. And I loved it. Kleypas delivers outstanding characterization and involves the reader emotionally from the start. In a word--a keeper. In fact, a DIK. Blurb.
Secrets of a Summer Night: My second best favorite from Kleypas. In this one, Kleypas gives readers the formulaic vulnerable heroine and a dashing hero to come to her rescue. Circumstances and character however stretch beyond reader expectations and, for me, put Kleypas in a class by herself.
Most memorable in this book is the laugh-out-loud exchanges between four women enjoying a friendship very real and rarely seen in historical romance. I would also say that the heroine carries the book. It is largely her story and the hero occupies the background space a good deal of the time. Of the hero, I liked his patience and genuine--altruistic--kindness. I never saw him as self-serving and his tender endearments were utterly natural (not ill-fitting, corny or presumptuous). This is another that I will re-read. Blurb.
Suddenly You: When Lori commented on Kleypas' tendency to feature characters and storylines outside historical London's ballrooms, I was intrigued. Suddenly You is a good example of this and I enjoyed it immensely. This heroine is an accomplished author and her hero a successful publisher. And instead of falling into marriage, they fall into bed and enjoy a full-out affair. The HEA ultimately dictates marriage, true; but the journey was engaging and entirely outside the bounds of propriety. An engaging read for me with but one complaint. I found the heroine's weight issues an annoying distraction. Not because Kleypas fails in any measure of characterization; but rather because I don't wish to identify with the heroine that much. Blurb.
Tuesday, December 13, 2005
An Invitation to Sin by Suzanne Enoch
This is book 2 of the Griffin sibling books. Zachary is the youngest of the 3 brothers (Eleanor, mentioned below, being the youngest of the 4). He is considered the unfocused flighty one, with no specific plans and no direction. Just when he decides to join the army, big brother, the Duke, sends him on an errand to Bath with their aunt. Alng the way, she tricks him into visiting a friend of hers, who happens to have 7 unmarried daughters.
Caroline, the eldest, wants to be a painter - she is applying to apprenticeships all over Europe. She sees inside Zachary, to the strong, deep person he can be. He is amazed, because no one, not even himself, has really tried to look inside him that deeply to get to what he wants out of life.
She is of course, stubborn, thinking that a marriage to anyone (especially into a Duke's family) would stifle her creativity, not allowing her to paint for a living. So, after a series of mishaps involving the other 6 sisters all trying to vy for his attention, Zachary falls for Caro and vice versa.
During the course of all this, Zachary finds himself and a purpose in life. He proposes, she turns him down, fearing the loss of her freedon to paint, yada, yada, yada. After a couple months apart, he can take it no more and finds her. They make up and live happily ever after.
I still like these books for what they are - easy no-brainer romps, but I was a tad disppointed in book 2. Sebastian, the Duke, came across as less likeable in this one than in the first one (see below). I hope she fixes that in the next book, because it took away from my enjoyment of this book - he was just a jerk. The interaction of the siblings was much of what made the first one so enjoyable, and this book had much less of that - Eleanor wasn't even in it (she was on her honeymoon). Still, accepting it at face value, it was ok. But borrow it from a friend, don't pay for it yourself.
Caroline, the eldest, wants to be a painter - she is applying to apprenticeships all over Europe. She sees inside Zachary, to the strong, deep person he can be. He is amazed, because no one, not even himself, has really tried to look inside him that deeply to get to what he wants out of life.
She is of course, stubborn, thinking that a marriage to anyone (especially into a Duke's family) would stifle her creativity, not allowing her to paint for a living. So, after a series of mishaps involving the other 6 sisters all trying to vy for his attention, Zachary falls for Caro and vice versa.
During the course of all this, Zachary finds himself and a purpose in life. He proposes, she turns him down, fearing the loss of her freedon to paint, yada, yada, yada. After a couple months apart, he can take it no more and finds her. They make up and live happily ever after.
I still like these books for what they are - easy no-brainer romps, but I was a tad disppointed in book 2. Sebastian, the Duke, came across as less likeable in this one than in the first one (see below). I hope she fixes that in the next book, because it took away from my enjoyment of this book - he was just a jerk. The interaction of the siblings was much of what made the first one so enjoyable, and this book had much less of that - Eleanor wasn't even in it (she was on her honeymoon). Still, accepting it at face value, it was ok. But borrow it from a friend, don't pay for it yourself.
Monday, December 12, 2005
Sin & Sensibility by Suzanne Enoch
Yes, I am still on my historical kick. This is the first in a 4-pack about the Griffin siblings. Suzanne Enoch creates a family where you can feel the connectedness between them, as well as get a glimpse into the personalities of the individual members. I like them all. This is Eleanor's story, the only girl in the family of the Duke of Melbourne. Wanting to be free to pick her own husband and feeling something is missing from her life, she declares her independence from her overprotective brothers. She is seeking she knows not what, but wants a grand adventure before she is required to settle down.
They cannot stand that she may get herself into trouble, so her brother, the Duke, enlists his best friend to "watch over her". Of course, he becomes her adventure.
This is a fairly light story - no deep penetrating emotions evoked, and I thoroughly enjoyed it for what it is. Suzanne Enoch wrote perhaps one of my favorite historicals, England's Perfect Hero, which is incredibly intense and emotional, so it was nice to (re)read a light story by her. She does both equally well. Thumbs up on this one.
They cannot stand that she may get herself into trouble, so her brother, the Duke, enlists his best friend to "watch over her". Of course, he becomes her adventure.
This is a fairly light story - no deep penetrating emotions evoked, and I thoroughly enjoyed it for what it is. Suzanne Enoch wrote perhaps one of my favorite historicals, England's Perfect Hero, which is incredibly intense and emotional, so it was nice to (re)read a light story by her. She does both equally well. Thumbs up on this one.
Thursday, December 08, 2005
Slip Knot by Gail Faulkner
Well, this was pretty much a foregone conclusion, for two reasons. One, I had already ascertained that I like this author, having read one of her previous titles. Two, I never fail to come undone for a military man.
In Slip Knot, Faulkner entrusts readers with not one, but a handful of breathtaking, highly proficient, wise-cracking special ops heroes—all of whom are integral to the story. Rem’s teammates are not gratuitous secondary characters. Instead, Faulkner weaves them so tightly into the story that I was compelled to consciously keep track of every character; drawn to each and concerned for all. Watching these men exchange barbs one moment and communicate without speaking in the next, I felt privy to that sense of brotherhood that so draws me to soldier stories.
Watching Rem’s heroine shed emotional layers throughout Slip Knot was equally engaging. I was skeptical at first; not sure who she really was or what she was about. That I was cheering for her in the end is a nod to Faulkner’s ability to power readers forward, daring us to trust Rem’s open devotion to her—from the beginning, then counting on our willingness to embrace a woman who is a survivor. While we get to hear from both Rem and Kathryn throughout the book, Faulkner lets the reader accompany Rem through most of the discovery period of this relationship. It is a rewarding experience.
Faulkner’s realistic depiction of strategy and weaponry strengthen believability and heighten suspense. The element of danger in this book is palpable—again, fully engaging the reader.
The sex? Hot. Of course. Hotter, in fact, because Faulkner builds sexual tension, rather than exploiting it. Rem’s careful solicitation of Kathryn provides the book’s most emotionally revealing scenes. Additionally, all of Faulkner’s men and women stay ‘in character’ between the sheets. This made for believable, trustworthy characters.
That foregone conclusion? I dug it. This is a very good read indeed.
Monday, December 05, 2005
Someone To Watch Over Me by Lisa Kleypas
Hey, Lori started it.
I am so relieved to find another author of historical romance that I love. I’m in that mode right now and, given recent disappointments like Lindsay and Balogh, was beginning to wonder if I’d hit a wall. Not so with Kleypas. With just one under my belt and 50 pages into another, I’m sold.
Like Lori, I appreciate a story that does not take place primarily in a ballroom. I also liked that this hero struggled with his feelings and was far from perfect. I did guess the plot twist relatively early on, but as it was the path to the HEA, I didn’t mind. It gave me hope.
I’ll give you the blurb and wrap it up by saying, simply—I read this book in one day, an important distinction, as I am the working Mom of a toddler. When I turn a book over in less than 24 hours, I liked it. A lot. More than sleep.
Blurb: She couldn't remember who she was...
A temptingly beautiful woman awakens in a stranger's bed, rescued from the icy waters of the Thames, her memory gone. Told that she is Vivien Rose Duvall, one of London's most scandalous beauties, she finds herself under the protection of enigmatic, charming Grant Morgan. Her life is in his hands. Deep in her heart, she knows he has mistaken her for someone else...
He was the only man she could trust.
As one of London's most eligible and unattainable catches, Grant Morgan is a man who has known every kind of woman. And the one in his arms now seems so innocent, so vulnerable, that he can't help but be enchanted. And as his love for this mysterious beauty grows, he's determined to unravel the secrets of her past and discover the truth -- no matter what.
Marriage Most Scandalous by Johanna Lindsay
Discovered that I don’t so much like Lindsay’s voice or characterization. Liked the story / plot (pasted below), but spent much of the book waiting for her to give the heroine a bit more credit and the hero a bit more dialogue. Won’t trash the book or the author. This is simply another case where the voice and character development just do not work for me. I felt none of the connections and frankly, couldn’t remember the character’s names 10 minutes after I finished it.
Blurb: Lady Margaret Landor first met Sebastian Townshend as a child, when he caught her peeking into her older sister's engagement ball. Tall, dashing, and charming, Sebastian was one of the most sought-after bachelors in Kent and cut a romantic figure she would not soon forget. Never did she dream that one day she would be living at his family's magnificent estate with Sebastian's father, the eighth Earl of Edgewood, as her guardian—while Sebastian is banished from his family due to the tragic results of a duel.
When life at Edgewood takes a sinister turn with the earl suffering a suspicious number of life-threatening accidents, Margaret wonders if Sebastian's younger brother and his wife have grown impatient to inherit the earldom. Setting out to find the one man she believes can set the situation to rights, she discovers that Sebastian Townshend has forged a new identity for himself on the continent.
Now known as The Raven, a deadly mercenary, notorious for accomplishing any mission no matter how seemingly impossible, he has vowed never to return to England. Not until Margaret meets his outrageous monetary demands does Sebastian agree to return home, reluctantly posing as her husband in order to facilitate his return to society. When he learns she cannot afford to pay his fee, he suggests a scandalous trade.
As Margaret and Sebastian work to uncover the intrigue at his father's estate, a fierce passion blooms that neither of them anticipated and neither can resist. But can Margaret persuade Sebastian to abandon the dark path he believes is his fate and claim the life—and love—he deserves?
Romeo by Gail Faulkner
I think this was a fantasy of mine growing up. A dark, handsome hero and a delicate, tiny heroine—everything else being equal—unencumbered by ordinary responsibilities. I think my fantasy tales even had similar life-threatening medical issues to make the heroine more delicate. So for me, Romeo was kind of like stealing back to the daydreams of old. It was an indulgence I enjoyed very much.
Of course it had a bit more heat than my teen fantasies did—a good thing, as I’m a couple of decades beyond those sweet, take-me-away daydreams. Faulkner’s hero is mouth-watering; her heroine the perfect compliment to him physically.
Emotionally, the heroine provided the best scene in the book and by far, the best “I’m-tired-of-being-typecast” heroine speeches I’ve heard in a long, long time. You will cheer out loud when she lets her hero—who is trying oh so hard not to be overbearing—know that she will match him (maybe even best him) in the I-want-hot-sex-now department. It’s a great scene.
And Romeo is a sweet and hot read.
Thursday, December 01, 2005
Dreaming of You by Lisa Kleypas
I'm on a Lisa Kleypas roll, and a historical roll, can you tell? This is Derek Craven's story. Most Lisa Kleypas fans count this as their favorite book, and Derek as their favorite hero. I personally am torn between him and Nick Gentry from Worth Any Price. Derek is the ultimate anti-hero. Born in the rookery to a whore and abandoned, he is not rich, not titled, not educated, not beautiful. But boy is he charismatic! The man commands a room, that's for sure. He is the owner of the biggest gaming hell in London.
Sara, the heroine, is an author from a small village, who writes novels about prostitutes and other unseemly things. They meet up when she goes to London to research her next novel about gambling. Watching Derek fall in love with her is amazing - he fights it every step of the way, but just can't help himself. And Sara, though she has a suitor back home, can't seem to help her fascination with him.
Hardly any of this Regency historical takes place in the ballrooms of London. Lisa Kleypas, like Cheryl Holt, is unafraid to write about the seedy underbelly of society. This is a romantic, wild, sexy, rough, interesting, wonderful book. If you like Lisa Kleypas, you must read it. If you've never read her, you must read it. Ok, I guess you must read it LOL!
Sara, the heroine, is an author from a small village, who writes novels about prostitutes and other unseemly things. They meet up when she goes to London to research her next novel about gambling. Watching Derek fall in love with her is amazing - he fights it every step of the way, but just can't help himself. And Sara, though she has a suitor back home, can't seem to help her fascination with him.
Hardly any of this Regency historical takes place in the ballrooms of London. Lisa Kleypas, like Cheryl Holt, is unafraid to write about the seedy underbelly of society. This is a romantic, wild, sexy, rough, interesting, wonderful book. If you like Lisa Kleypas, you must read it. If you've never read her, you must read it. Ok, I guess you must read it LOL!
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